\u0130stanbul Okan \u00dcniversitesi Sanat, Tasar\u0131m ve Mimarl\u0131k Fak\u00fcltesi ile Uygulamal\u0131 Bilimler Fak\u00fcltesi\u2019nin birlikte d\u00fczenledi\u011fi, 3. Uluslararas\u0131 G\u00f6rsel-\u0130\u015fitsel K\u00fclt\u00fcrde Kad\u0131n Sempozyumu (G\u0130KK 2026) \u00fcniversitenin Tuzla Kamp\u00fcs\u00fc ve SALT Galata\u2019da ger\u00e7ekle\u015ftirildi. Sempozyum, g\u00f6rsel-i\u015fitsel k\u00fclt\u00fcr alan\u0131nda \u00e7al\u0131\u015fan akademisyenleri, sanat\u00e7\u0131lar\u0131 ve ara\u015ft\u0131rmac\u0131lar\u0131 bir araya getirdi.\u00a0<\/p>\n
\u00dc\u00e7 g\u00fcn s\u00fcren sempozyum kapsam\u0131nda, y\u00fcz y\u00fcze ve \u00e7evrimi\u00e7i oturumlarda toplam 56 bildiri sunuldu. Farkl\u0131 disiplinlerden gelen kat\u0131l\u0131mc\u0131lar\u0131n katk\u0131lar\u0131yla ger\u00e7ekle\u015fen oturumlar, kad\u0131nlar\u0131n g\u00f6rsel-i\u015fitsel k\u00fclt\u00fcrdeki \u00fcretimlerini \u00e7ok katmanl\u0131 ve ele\u015ftirel bir perspektifle tart\u0131\u015fmaya a\u00e7t\u0131.<\/p>\n
Sempozyum, kad\u0131n bedeni ve g\u00f6rsel temsil, kad\u0131n anlat\u0131lar\u0131 ve bellek, ekoloji ve mek\u00e2nsal \u00f6znellik, feminist sinema ve d\u00f6n\u00fc\u015fen beden, sava\u015f ve kriz ba\u011flam\u0131nda g\u00f6rsel tan\u0131kl\u0131k, dijital k\u00fclt\u00fcr, algoritmalar ve yapay zek\u00e2 ile k\u00fclt\u00fcr end\u00fcstrileri ve kad\u0131n eme\u011fi gibi ba\u015fl\u0131klar etraf\u0131nda \u015fekillenerek, kad\u0131nlar\u0131n g\u00f6rsel-i\u015fitsel k\u00fclt\u00fcrdeki \u00fcretimlerini disiplinleraras\u0131 bir perspektifle tart\u0131\u015fmaya a\u00e7t\u0131.\u00a0<\/p>\n
Sempozyumun a\u00e7\u0131l\u0131\u015f\u0131nda ana konu\u015fmac\u0131 olarak yer alan Prof. Dr. Nil\u00fcfer Timisi, \u201c\u0130nsan, Do\u011fa ve Teknoloji: Feminist Epistemoloji ile \u0130li\u015fkisel Bir D\u00fcnya Tahayy\u00fcl\u00fc\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131yla g\u00fcn\u00fcm\u00fcz\u00fcn ekolojik, teknolojik ve toplumsal d\u00f6n\u00fc\u015f\u00fcmleri i\u00e7inde feminist d\u00fc\u015f\u00fcncenin kurucu rol\u00fcn\u00fc masaya yat\u0131rd\u0131.\u00a0<\/p>\n
Sempozyumun son g\u00fcn\u00fc SALT Galata\u2019da ger\u00e7ekle\u015ftirilen program kapsam\u0131nda, uluslararas\u0131 sinema ve akademi d\u00fcnyas\u0131ndan \u00f6nemli isimler izleyiciyle bulu\u015ftu. Y\u00f6netmen Andrea Luka Zimmerman, Wayfaring Stranger (2024) adl\u0131 filminin g\u00f6steriminin ard\u0131ndan \u201cSezgisel Sineman\u0131n Poetikas\u0131 ve Politikas\u0131\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, sinemay\u0131 bir temsil alan\u0131 olman\u0131n \u00f6tesinde bir ara\u015ft\u0131rma ve kar\u015f\u0131la\u015fma prati\u011fi olarak ele ald\u0131.<\/p>\n
Ard\u0131ndan sanat\u00e7\u0131 ve akademisyen Jessica Rodr\u00edguez-Col\u00f3n (Jeca), \u201cFilmlerde Annenin \u2018\u00d6teki\u2019 Olarak Bak\u0131\u015f Ekonomisi \u0130\u00e7inde Konumland\u0131r\u0131lmas\u0131\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131yla, annelik temsillerinin sinemadaki ideolojik \u00e7er\u00e7evesini \u201cbak\u0131\u015f\u0131n ekonomisi\u201d kavram\u0131 \u00fczerinden yeniden d\u00fc\u015f\u00fcnmeye a\u00e7t\u0131.\u00a0<\/p>\n
G\u0130KK 2026, yaln\u0131zca kad\u0131nlar\u0131n temsiline odaklanan bir akademik etkinlik olman\u0131n \u00f6tesine ge\u00e7erek, bak\u0131\u015f\u0131n nas\u0131l kuruldu\u011funu, kim taraf\u0131ndan \u00fcretildi\u011fini ve hangi anlat\u0131lar\u0131n g\u00f6r\u00fcn\u00fcr k\u0131l\u0131nd\u0131\u011f\u0131n\u0131 sorgulayan ele\u015ftirel bir platform olarak \u00f6ne \u00e7\u0131kt\u0131.<\/p>\n
Sempozyum, akademik \u00fcretim ile sanatsal prati\u011fi bir araya getirirken, ayn\u0131 zamanda yeni i\u015f birliklerine, ara\u015ft\u0131rma alanlar\u0131na ve kolektif \u00fcretim bi\u00e7imlerine zemin haz\u0131rlad\u0131.<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130stanbul Okan \u00dcniversitesi Sanat, Tasar\u0131m ve Mimarl\u0131k Fak\u00fcltesi ile Uygulamal\u0131 Bilimler Fak\u00fcltesi\u2019nin birlikte d\u00fczenledi\u011fi, 3.<\/p>\n","protected":false},"author":1,"featured_media":10425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-10424","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=10424"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10424\/revisions"}],"predecessor-version":[{"id":10426,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10424\/revisions\/10426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/10425"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=10424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=10424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=10424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}