{"id":10592,"date":"2026-04-15T10:07:30","date_gmt":"2026-04-15T10:07:30","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/04\/15\/sergiciligin-tarihine-kapsamli-bir-bakis-batida-ve-turkiyede-sergicilik-tarihi\/"},"modified":"2026-04-15T10:07:31","modified_gmt":"2026-04-15T10:07:31","slug":"sergiciligin-tarihine-kapsamli-bir-bakis-batida-ve-turkiyede-sergicilik-tarihi","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/04\/15\/sergiciligin-tarihine-kapsamli-bir-bakis-batida-ve-turkiyede-sergicilik-tarihi\/","title":{"rendered":"Sergicili\u011fin tarihine kapsaml\u0131 bir bak\u0131\u015f: \u201cBat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi\u201d"},"content":{"rendered":"

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Marcus Graf\u2019\u0131n kaleme ald\u0131\u011f\u0131\u00a0\u201cBat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi\u201d<\/em>\u00a0adl\u0131 eseri okurlarla bulu\u015fturuyor.\u00a0Toplumsal hadiselerle birlikte \u00f6r\u00fclen k\u00fclt\u00fcr ortam\u0131n\u0131n \u00e7ok katmanl\u0131 yap\u0131s\u0131n\u0131 yans\u0131tmaya \u00e7al\u0131\u015fan bu eser, Osmanl\u0131 ve T\u00fcrk sergicilik tarihinin 19. y\u00fczy\u0131ldaki ba\u015flang\u0131c\u0131ndan g\u00fcn\u00fcm\u00fcze uzanan geli\u015fim s\u00fcrecini, Avrupa ve Kuzey Amerika sergicilik anlay\u0131\u015f\u0131ndan nas\u0131l farkl\u0131la\u015ft\u0131\u011f\u0131n\u0131 ve onlarla ne t\u00fcr paralellikler g\u00f6sterdi\u011fini ele al\u0131yor.<\/strong><\/p>\n

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131\u2019n\u0131n (VBKY) sanat kitapl\u0131\u011f\u0131, Marcus Graf\u2019\u0131n kaleme ald\u0131\u011f\u0131 ve Emre G\u00fcrel\u2019in T\u00fcrk\u00e7eye \u00e7evirdi\u011fi\u00a0\u201cBat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi\u201d<\/em>\u00a0ile geni\u015flemeye devam ediyor. 1980\u2019li y\u0131llardan itibaren sergicilik tarihi, giderek artan bi\u00e7imde Avrupa ve Kuzey Amerika\u2019da k\u00fclt\u00fcr ve sanat biliminin konusu h\u00e2line geldi. G\u00fcn\u00fcm\u00fczde bienaller ve k\u00fcrat\u00f6rl\u00fck mesle\u011finin pop\u00fclerli\u011fiyle de desteklenen sergicilik ara\u015ft\u0131rmalar\u0131, bu alan\u0131n \u00f6nemli bir bile\u015fenine d\u00f6n\u00fc\u015ft\u00fc. Toplumsal hadiselerle birlikte \u00f6r\u00fclen bu k\u00fclt\u00fcr ortam\u0131n\u0131n \u00e7ok katmanl\u0131 yap\u0131s\u0131n\u0131 yans\u0131tmaya \u00e7al\u0131\u015fan ve \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fan bu kapsaml\u0131 \u00e7al\u0131\u015fma, ilk b\u00f6l\u00fcm\u00fcnde 15. y\u00fczy\u0131ldan itibaren Avrupa ve Kuzey Amerika\u2019daki sergi tarihini mercek alt\u0131na al\u0131yor. Bu b\u00f6l\u00fcmde \u00f6ncelikli olarak nadire kabineleri (Kuriosit\u00e4tenkabinett), harikalar odas\u0131 (Wunderkammer) ve sanat odalar\u0131n\u0131n (Kunstkammer) erken d\u00f6nem \u00f6rnekleri -T\u00fcrk\u00e7ede \u201cnadire odas\u0131\u201d anlam\u0131nda kullan\u0131l\u0131r- analiz ediliyor. \u0130kinci b\u00f6l\u00fcmde ise 19. y\u00fczy\u0131ldan itibaren Osmanl\u0131 \u0130mparatorlu\u011fu ve T\u00fcrkiye\u2019deki sergicilik tarihi inceleniyor. \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmde Avrupa ve Kuzey Amerika sergi tarihi ile Osmanl\u0131-T\u00fcrk sergicilik tarihi kar\u015f\u0131la\u015ft\u0131rmal\u0131 olarak ele al\u0131n\u0131yor.\u00a0\u201cBat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi\u201d<\/em>, Osmanl\u0131 ve T\u00fcrk sergicilik tarihinin 19. y\u00fczy\u0131ldaki ba\u015flang\u0131c\u0131ndan g\u00fcn\u00fcm\u00fcze uzanan geli\u015fim s\u00fcrecini; Avrupa ve Kuzey Amerika\u2019daki sergicilik anlay\u0131\u015f\u0131ndan nas\u0131l farkl\u0131la\u015ft\u0131\u011f\u0131n\u0131 ve onlarla ne t\u00fcr paralellikler g\u00f6sterdi\u011fini ortaya koyuyor.<\/p>\n

Kitaptan:<\/strong><\/p>\n

\u201cSergicilik T\u00fcrkiye\u2019de ilk olarak 1990\u2019lar\u0131n sonun\u00addan itibaren bilimsel olarak analiz edilmi\u015f ve ancak son y\u0131llarda \u00fcniversitelerdeki ra\u011fbetin art\u0131\u015f\u0131yla m\u00fcfredat kapsam\u0131na al\u0131nm\u0131\u015f\u00adt\u0131r. Buna ra\u011fmen bilimsel tart\u0131\u015fmalar hen\u00fcz pek geli\u015fmemekle beraber konu hakk\u0131nda yaln\u0131zca s\u0131n\u0131rl\u0131 say\u0131da yay\u0131n mevcuttur. Bu eser, Osmanl\u0131 ve T\u00fcrk sergicilik tarihinin 19. y\u00fczy\u0131lda\u00adki ba\u015flang\u0131c\u0131ndan g\u00fcn\u00fcm\u00fcze uzanan geli\u015fim s\u00fcrecini, Avrupa ve Kuzey Amerika sergicili\u011finden nas\u0131l farkl\u0131la\u015ft\u0131\u011f\u0131n\u0131 ve onlarla ne t\u00fcr paralellikler g\u00f6sterdi\u011fini ele alarak bu eksikli\u011fi biraz da olsa gidermeyi hedeflemektedir. T\u00fcrk sanat sisteminde, Bat\u0131l\u0131 sanat sistemine k\u0131yasla b\u00fct\u00fcn\u00fcyle sosyal bir sisteme d\u00f6n\u00fc\u015fmemesine ra\u011fmen, \u00f6zellikle 2000 y\u0131l\u0131ndan itibaren s\u00fcrekli ve h\u0131zla artan bir farkl\u0131la\u015fma ve profesyonelle\u015fme g\u00f6r\u00fclmektedir. Bat\u0131\u2019ya k\u0131yasla T\u00fcrk sergicili\u011fi organizasyon, profesyonel e\u011fitim ve finansman gibi alanlarda elbette h\u00e2l\u00e2 eksiklikler i\u00e7ermektedir. Yine de alan s\u00fcratle geli\u015fmekte ve T\u00fcrkiye\u2019nin a\u015fmas\u0131 gereken ekonomik, sosyopolitik zorluklara ra\u011fmen olumlu bir gelecek \u00f6ng\u00f6r\u00fcs\u00fcn\u00fc m\u00fcmk\u00fcn k\u0131lmaktad\u0131r.\u201d<\/em><\/p>\n

Yazar Hakk\u0131nda;<\/strong><\/p>\n

1974 y\u0131l\u0131nda Almanya\u2019da do\u011fdu. Hildesheim \u00dcniversitesinde K\u00fclt\u00fcr Bilimi ve Estetik \u0130leti\u015fimi Fak\u00fcltesinde, Plastik Sanatlar ve Sanat Bilimi B\u00f6l\u00fcm\u00fcnde okudu. \u00c7e\u015fitli sanat kurumlar\u0131nda proje y\u00f6neticisi, k\u00fcrat\u00f6r, e\u011fitmen, yazar ve sanat\u00e7\u0131 olarak \u00e7al\u0131\u015ft\u0131. 2010 y\u0131l\u0131nda Almanya\u2019da, Stuttgart Devlet Sanat Akademisinde doktoras\u0131n\u0131 tamamlad\u0131. 2003 y\u0131l\u0131ndan beri Yeditepe \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesinde \u00f6\u011fretim \u00fcyesi olarak ve 2019\u2019dan beri Sanat ve K\u00fclt\u00fcr Y\u00f6netimi B\u00f6l\u00fcm\u00fc Ba\u015fkan\u0131 olarak \u00e7al\u0131\u015fmaktad\u0131r. Akademisyenlik, k\u00fcrat\u00f6rl\u00fck ve sanat dan\u0131\u015fmanl\u0131\u011f\u0131 yan\u0131 s\u0131ra \u00e7ok say\u0131da kitap, sergi katalo\u011fu ve dergide sanat yazarl\u0131\u011f\u0131 yapmaktad\u0131r.<\/p>\n

K\u00dcNYE<\/strong><\/p>\n

Yay\u0131nevi: VBKY<\/strong><\/p>\n

Kategori: Tarih<\/strong><\/p>\n

Yazan:\u00a0Marcus Graf\u00a0<\/strong><\/p>\n

Kitab\u0131n ad\u0131:<\/strong>\u00a0<\/em>Bat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi<\/strong><\/p>\n

Proje Edit\u00f6r\u00fc ve Son Okuma: Hande Kayhan<\/strong><\/p>\n

Son Okuma: Firdevs Yi\u011fit<\/strong><\/p>\n

Kitap Edit\u00f6r\u00fc: Mehmet Emin Kayhan<\/strong><\/p>\n

Kapak: Faruk \u00d6zcan<\/strong><\/p>\n

Sayfa Uygulama: Y\u00fcmna Sar\u0131kaya \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

T\u00fcrk\u00e7esi: Emre G\u00fcler<\/strong><\/p>\n

Sayfa say\u0131s\u0131: 232<\/strong><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Marcus Graf\u2019\u0131n kaleme ald\u0131\u011f\u0131\u00a0\u201cBat\u0131\u2019da ve T\u00fcrkiye\u2019de Sergicilik Tarihi\u201d\u00a0adl\u0131 eseri okurlarla bulu\u015fturuyor.<\/p>\n","protected":false},"author":1,"featured_media":10593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-10592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=10592"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10592\/revisions"}],"predecessor-version":[{"id":10594,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10592\/revisions\/10594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/10593"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=10592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=10592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=10592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}