{"id":10889,"date":"2026-04-16T15:48:50","date_gmt":"2026-04-16T15:48:50","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/04\/16\/muhsin-ertugrul-okumalari-pasli-raylar-korosu-oyunuyla-devam-ediyor\/"},"modified":"2026-04-16T15:48:51","modified_gmt":"2026-04-16T15:48:51","slug":"muhsin-ertugrul-okumalari-pasli-raylar-korosu-oyunuyla-devam-ediyor","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/04\/16\/muhsin-ertugrul-okumalari-pasli-raylar-korosu-oyunuyla-devam-ediyor\/","title":{"rendered":"Muhsin Ertu\u011frul Okumalar\u0131 \u201cPasl\u0131 Raylar Korosu\u201d Oyunuyla Devam Ediyor"},"content":{"rendered":"<p> \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131, 18-35 ya\u015f aras\u0131 gen\u00e7 oyun yazarlar\u0131n\u0131 metinleriyle birlikte seyirciyle bulu\u015fturan yeni bir programa ba\u015flad\u0131.<\/p>\n<p>Muhsin Ertu\u011frul Okumalar\u0131 ad\u0131n\u0131 ta\u015f\u0131yan program hen\u00fcz sahnelenmemi\u015f oyun metinlerini g\u00f6r\u00fcn\u00fcr k\u0131lmay\u0131, metinler \u00fczerine birlikte d\u00fc\u015f\u00fcnmeyi ve yazarlara ger\u00e7ek bir geri bildirim alan\u0131 a\u00e7may\u0131 ama\u00e7l\u0131yor.<\/p>\n<p><b>\u0130kinci Okuma Tiyatrosunun Konu\u011fu O\u011fuz Ka\u011fan Aydos\u2019un Kaleme Ald\u0131\u011f\u0131 \u201cPasl\u0131 Raylar Korosu\u201d Olacak<\/b><\/p>\n<p>\u0130kinci okuma tiyatrosu, 20 Nisan 2026 tarihinde 20.00\u2019de Harbiye Muhsin Ertu\u011frul Sahnesi fuayesinde seyirciyle bulu\u015facak.<\/p>\n<p>&#8220;Pasl\u0131 Raylar Korosu&#8221;, Muhsin Ertu\u011frul\u2019un tiyatromuza miras b\u0131rakt\u0131\u011f\u0131 &#8220;Bize bizim hik\u00e2yelerimizi kim anlatacak?&#8221; sorusuna, kentsel bellek ve dijitalle\u015fen d\u00fcnyan\u0131n \u00e7at\u0131\u015fmas\u0131 \u00fczerinden verilen epik bir yan\u0131t. Oyun, sadece bir mek\u00e2n\u0131n y\u0131k\u0131m \u00f6yk\u00fcs\u00fc de\u011fil; nesnelerin ruhu, \u00fcniforman\u0131n haysiyeti ve toplumsal haf\u0131zan\u0131n &#8220;vazife&#8221; bilinciyle savunulmas\u0131 \u00fczerine kurulu bir varolu\u015f anlat\u0131s\u0131.<\/p>\n<p>Oyunun k\u0131r\u0131lma noktas\u0131n\u0131 olu\u015fturan 1974 k\u0131\u015f\u0131na yolculuk, bir nostalji g\u00fczellemesi de\u011fil, toplumsal bir y\u00fczle\u015fme. Petrol kuyruklar\u0131n\u0131n ve dondurucu kar\u0131n h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc o d\u00f6nem; nezaketin, payla\u015fman\u0131n ve &#8220;biz&#8221; olabilme yetisinin s\u0131nand\u0131\u011f\u0131 bir &#8220;s\u0131f\u0131r noktas\u0131&#8221; olarak kurgulanm\u0131\u015ft\u0131r.<\/p>\n<p>Okuman\u0131n ard\u0131ndan; Dramaturg \u00d6zge \u00d6kten Y\u0131lmaz\u2019\u0131n moderat\u00f6rl\u00fc\u011f\u00fcnde ger\u00e7ekle\u015fecek s\u00f6yle\u015fide, yazar, oyuncular ve seyircilerle birlikte oyuna dair d\u00fc\u015f\u00fcnceler payla\u015f\u0131lacak.<\/p>\n<p>Okuman\u0131n oyuncular\u0131:<\/p>\n<p><b>M\u00fcnir:\u00a0<\/b>Tar\u0131k K\u00f6ksal<\/p>\n<p><b>Selin:<\/b>\u00a0Serap \u00d6zt\u00fcrk<\/p>\n<p><b>Hur\u015fit:\u00a0<\/b>\u00d6zg\u00fcr Atk\u0131n<\/p>\n<p><b>Kasap Hayri:\u00a0<\/b>\u00d6zg\u00fcr Dereli<\/p>\n<p><b>Han\u0131mefendi:\u00a0<\/b>Canan K\u00fcbra Birinci<\/p>\n<p><b>Yolcu A &amp; B (Hayaletler):\u00a0<\/b>Onur \u015eirin, Onur Demircan<\/p>\n<p><b>Parantezler:\u00a0<\/b>Cafer Alpsolay<\/p>\n<p><b>Pasl\u0131 Raylar Korosu<\/b><\/p>\n<p>2026 y\u0131l\u0131nda, kentsel d\u00f6n\u00fc\u015f\u00fcm nedeniyle y\u0131k\u0131lmak istenen eski bir \u0130stanbul istasyonu, emekli memur M\u00fcnir\u2019in inat\u00e7\u0131 direni\u015fine ev sahipli\u011fi yapar. Dijital veri analisti Selin, yap\u0131y\u0131 y\u0131k\u0131m \u00f6ncesi &#8220;dijital ikizine&#8221; d\u00f6n\u00fc\u015ft\u00fcrmek i\u00e7in istasyona gelir. Ancak mekan\u0131n ruhu teknolojiyi reddeder.<\/p>\n<p>Dozerler kap\u0131ya dayand\u0131\u011f\u0131nda, &#8220;B\u00fcy\u00fck Ray Yar\u0131lmas\u0131&#8221; ger\u00e7ekle\u015fir ve istasyon, karakterleri 1974 y\u0131l\u0131n\u0131n dondurucu k\u0131\u015f\u0131na, gaz ya\u011f\u0131 kuyruklar\u0131na ve veda mendillerinin salland\u0131\u011f\u0131 o naif \u0130stanbul\u2019a savurur. Statik bir ar\u015fiv de\u011fil, ya\u015fayan bir bellek merkezi olan istasyon; hayalet yolcular\u0131, muhtar aday\u0131 Hur\u015fit\u2019in b\u00fcrokratik ta\u015flamalar\u0131 ve M\u00fcnir\u2019in &#8220;sorumluluk \u015fuuru&#8221; ile devle\u015fir.<\/p>\n<p>Fiziksel duvarlar y\u0131k\u0131lsa da, M\u00fcnir \u00fcniformas\u0131n\u0131 (miras\u0131n\u0131) Selin\u2019e devrederken, istasyonun \u015fehrin her soka\u011f\u0131na da\u011f\u0131lan sonsuz bir koroya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ilan eder. Oyun ge\u00e7mi\u015fle gelece\u011fi pasl\u0131 raylarda birle\u015ftirerek epik bir yan\u0131t verir.<\/p>\n<p>\u00a0<\/p>\n<p>Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131, 18-35 ya\u015f aras\u0131 gen\u00e7 oyun yazarlar\u0131n\u0131 metinleriyle birlikte seyirciyle bulu\u015fturan yeni bir programa ba\u015flad\u0131.<\/p>\n","protected":false},"author":1,"featured_media":10890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-10889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=10889"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10889\/revisions"}],"predecessor-version":[{"id":10891,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/10889\/revisions\/10891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/10890"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=10889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=10889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=10889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}