Bak\u0131rk\u00f6y Belediye Tiyatrolar\u0131 (BBT), 35 y\u0131ll\u0131k k\u00f6kl\u00fc miras\u0131n\u0131 “B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm” mottosuyla dijital \u00e7a\u011fa ve ulusal sahneye ta\u015f\u0131yor. Genel Sanat Y\u00f6netmeni Rag\u0131p Sava\u015f\u2019\u0131n vizyonuyla kimlik de\u011fi\u015ftiren\u00a0BBT, esteti\u011fi, kapsay\u0131c\u0131 sanat anlay\u0131\u015f\u0131 ve sezon finaline damga vuracak dev\u00a0prod\u00fcksiyonlar\u0131yla sanat\u00a0rotas\u0131n\u0131 yeniden \u00e7iziyor.\u00a0<\/p>\n
STRATEJ\u0130K V\u0130ZYON: RAD\u0130KAL KURUMSAL EVR\u0130M<\/b>\u00a0<\/p>\n
BBT, ge\u00e7mi\u015fin miras\u0131n\u0131 gelece\u011fin diliyle konu\u015fan bir “T\u0130YATRO” olarak yeniden tan\u0131ml\u0131yor:<\/p>\n
\u2022\u00a0Minimalist\u00a0ve G\u00fc\u00e7l\u00fc Kimlik:\u00a0<\/b>\u00c7a\u011f\u0131n estetik kodlar\u0131na uygun yeni g\u00f6rsel dil,\u00a0BBT\u2019nin\u00a0yenilik\u00e7i ruhunu simgeliyor.\u00a0<\/p>\n
\u2022 Etkile\u015fim odakl\u0131 \u0130leti\u015fim:\u00a0<\/b>Sosyal medyadan soka\u011fa, izleyiciyle kurulan her temas noktas\u0131 “B\u00fcy\u00fck\u00a0D\u00f6n\u00fc\u015f\u00fcm”\u00fcn\u00a0dinamizmiyle yeniden kurguland\u0131.\u00a0<\/p>\n
Kurumun Genel Sanat Y\u00f6netmeni Rag\u0131p Sava\u015f;<\/b>\u00a0“BBT yerel bir sahne olmaktan \u00e7\u0131k\u0131p, T\u00fcrkiye\u2019nin ilham ald\u0131\u011f\u0131 bir sanat kurumu haline geldi. Art\u0131k daha cesur, daha estetik ve \u00e7ok daha kapsay\u0131c\u0131y\u0131 bir Tiyatroyuz.”<\/i>\u00a0<\/p>\n
MAYIS 2026: BA\u015eYAPITLAR REPERTUVARI<\/b>\u00a0<\/p>\n
ANNE KAFAMDA B\u0130T VAR \u2013 Tar\u0131k Akan (D\u00fcnya Pr\u00f6miyeri)<\/b><\/p>\n
T\u00fcrk sinemas\u0131n\u0131n ve Ye\u015fil\u00e7am\u2019\u0131n unutulmaz ismi Tar\u0131k Akan\u2019\u0131n ayn\u0131 adl\u0131 kitab\u0131ndan uyarlanan oyun,\u00a0BBT\u2019nin\u00a035. y\u0131l\u0131n\u0131n en \u00f6zel prod\u00fcksiyonu olarak sahneye ta\u015f\u0131n\u0131yor.<\/b>\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Konu:\u00a0<\/b>12 Eyl\u00fcl darbesi sonras\u0131 ya\u015fanan g\u00f6zalt\u0131 ve cezaevi s\u00fcrecini, bir sanat\u00e7\u0131n\u0131n bireysel tan\u0131kl\u0131\u011f\u0131 \u00fczerinden ele al\u0131r. Bask\u0131, korku ve yaln\u0131zl\u0131\u011f\u0131n ortas\u0131nda direnci, insan onurunu ve susmamay\u0131 \u00f6n plana \u00e7\u0131karan kalabal\u0131k kadrolu bir yap\u0131md\u0131r.\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sanatsal Yakla\u015f\u0131m:\u00a0<\/b>Rag\u0131p Sava\u015f ve Sava\u015f Barut\u00e7u, Tar\u0131k Akan karakterini d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak canland\u0131racak. Rag\u0131p Sava\u015f s\u00fcreci \u015fu s\u00f6zlerle \u00f6zetliyor:\u00a0“Amac\u0131m\u0131z kimseyi taklit etmek de\u011fil; o karanl\u0131k d\u00f6nemde sanat\u00e7\u0131lar\u0131n ya\u015fad\u0131klar\u0131n\u0131, onlar\u0131n duygular\u0131n\u0131 ve tan\u0131k olduklar\u0131n\u0131 sahici bir oyunculuk diliyle seyirciye aktarmakt\u0131r\u201d.<\/i>\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip<\/b>: Y\u00f6netmen: Turgay\u00a0Kant\u00fcrk, Uyarlayan: G\u00f6khan\u00a0Aktemur, Dramaturg: Irmak Bah\u00e7eci, Dekor\/I\u015f\u0131k: Cem Y\u0131lmazer, Kost\u00fcm:\u00a0Ay\u00e7\u0131n\u00a0Tar \u2013 Selin \u00d6l\u00e7en, M\u00fczik: Tolga\u00a0\u00c7ebi, \u015eark\u0131 S\u00f6zleri: Faruk \u00dcst\u00fcn, Koreografi: P\u0131nar\u00a0Ataer, Reji asistanlar\u0131: Eda \u00d6zdemir, Sevda Karabulut, Bur\u00e7 Ara\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular<\/b>: Rag\u0131p Sava\u015f \/ Sava\u015f Barut\u00e7u, Yonca \u015eahinba\u015f, Faruk \u00dcst\u00fcn, Eda \u00d6zdemir, Bur\u00e7 Ara, Ercan Ko\u00e7ak, Ali Kil, Kadir\u00a0Hasman, Emre S\u0131r\u0131ms\u0131, Sevda Karabulut, Murat \u015eenol, Kerem Gen\u00e7, Merve Ba\u011fdatl\u0131, Ahmet Deniz Ku\u015f, Ozan Berk\u00a0Ekinciel, Y\u0131lmaz G\u00f6kg\u00f6z, Bahar Y\u0131lmazer\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan:<\/b>\u00a0Leyla Gencer Sahnesi: 2\u00a0-14-15-21\u00a0May\u0131s 2026 Saat 20.00\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02-14-15-\u00a0May\u0131s Oyunlar\u0131 Rag\u0131p SAVA\u015e,\u00a0<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a021 May\u0131s\u00a0oyunu Sava\u015f BARUT\u00c7U taraf\u0131ndan oynanacakt\u0131r\u2026\u00a0<\/p>\n
AY TED\u0130RG\u0130NL\u0130\u011e\u0130 \u2013 \u00d6zen Yula (Psikolojik Gerilim) Yaz\u0131l\u0131\u015f\u0131n\u0131n 30. y\u0131l\u0131nda yeniden hayat bulan eser, toplumsal haf\u0131zan\u0131n karanl\u0131k dehlizlerine bir yolculuk niteli\u011finde.<\/b>\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Konu<\/b>: 1950\u2019lerin \u0130stanbul\u2019unda, puslu ve tekinsiz bir gecede yollar\u0131 kesi\u015fen iki yabanc\u0131n\u0131n hikayesi. Faili me\u00e7hul cinayetler ve az\u0131nl\u0131k meselelerini “ay \u0131\u015f\u0131\u011f\u0131n\u0131n” so\u011fuk g\u00f6lgesinde i\u015fleyen oyun, seyirciyi s\u00fcrekli bir “tetikte olma” haline hapsediyor.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen Burcu Hala\u00e7o\u011flu, Dramaturg: Ceren Ercan, Dekor\/Kost\u00fcm:\u00a0Ay\u00e7\u0131n\u00a0Tar, I\u015f\u0131k tasar\u0131m\u0131: Yasin G\u00fcltepe, M\u00fczik: Okan Kaya, Koreografi: G\u00fcl\u00e7in Yi\u011fit, Kum Sanat\u00e7\u0131s\u0131: Ramazan\u00a0Yumrutepe,\u00a0Teaser\/Kurgu: Erhan Cerraho\u011flu\/ Demo\u00a0Production, Oyun foto\u011fraflar\u0131: \u00d6nc\u00fc\u00a0H\u0131rant\u00a0G\u00fcltekin\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular:<\/b>\u00a0Damla Karaelmas, Emre Ko\u00e7\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan\u00a0ve Tarihler<\/b>:\u00a0Baruthane Sahnesi:<\/b>\u00a06-13-20 May\u0131s\u00a0Saat 20.00\u00a0<\/p>\n
E\u015eE\u011e\u0130N G\u00d6LGES\u0130 \u2013 Haldun Taner (Epik Hiciv)<\/b>\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Konu:<\/b>\u00a0Hayali “Abdalya” \u00fclkesinde bir e\u015fe\u011fin g\u00f6lgesi \u00fczerinden ba\u015flayan abs\u00fcrt tart\u0131\u015fman\u0131n; medya manip\u00fclasyonu, siyasi h\u0131rslar ve dini istismarla nas\u0131l bir i\u00e7 sava\u015fa d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc anlat\u0131r.\u00a0\u00a0 \u00a0 \u00a0\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen: Murat Karasu, Dramaturg: Irmak Bah\u00e7eci, Dekor tasar\u0131m\u0131: Ali Yenel, Kost\u00fcm Tasar\u0131m\u0131: Ay\u00e7in Tar, I\u015f\u0131k Tasar\u0131m\u0131: Cem Y\u0131lmazer, M\u00fczik: Tolga \u00c7ebi, Hareket D\u00fczeni: Cihan Y\u00f6ntem, \u015eark\u0131 s\u00f6zleri: Faruk \u00dcst\u00fcn, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131; Ercan Ko\u00e7ak-\u00d6zge \u00c7atak, Yard\u0131mc\u0131 Hareket D\u00fczeni: Utku Demirkaya, Reji Asistan\u0131: Arda AKY\u00dcZ, Oyun foto\u011fraflar\u0131: Emre Mollao\u011flu,\u00a0Teaser: Erhan Cerraho\u011flu \/ Demo\u00a0Production\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular:<\/b>\u00a0Alper\u00a0Altuner, Ali Kil, Arda Aky\u00fcz, Ay\u015fe Demirel, Bulut Akkale, Burak Dur, Can Esmeray, Do\u011fu\u015f Can Uzun, Eda \u00d6zdemir, Emre Ko\u00e7, Ercan Ko\u00e7ak, G\u00f6zde Ayar, Kadir\u00a0Hasman, Murat \u015eenol, Nazan Ko\u00e7ak, \u00d6zge \u00c7atak, Sevda Karabulut, Zeyno\u00a0Eracar\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Orkestra:<\/b>\u00a0Adem\u00a0Elkaya, Atiye\u00a0E\u015fkiza, Aykut Y\u0131ld\u0131r\u0131m, Ebru Mine\u00a0Sonak\u0131n, Emin G\u00fclfidan, Ersin Toz, Hasan Ko\u00e7, Melih Y\u00fczer, \u015eafak Dinlenmez, U\u011fur \u00c7erkezo\u011flu\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan<\/b>: Leyla Gencer Opera ve Sanat Merkezi |\u00a07 May\u0131s\u00a0Saat 20.00\u00a0<\/p>\n
\u00c7\u0130RK\u0130N \u2013\u00a0Marius\u00a0von\u00a0Mayenburg\u00a0(Modern Dram\/Komedi)<\/b>\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Konu<\/b>: Kapitalizmin insan bedenini metala\u015ft\u0131rmas\u0131n\u0131 ve “g\u00fczel olan iyidir” alg\u0131s\u0131n\u0131 ac\u0131mas\u0131z bir kara mizahla ele\u015ftiriyor. Ba\u015far\u0131l\u0131 m\u00fchendis\u00a0Lette\u2019nin\u00a0“dayan\u0131lmaz derecede \u00e7irkin” oldu\u011funu \u00f6\u011frenmesiyle ba\u015flayan ve estetik bir operasyonla “kusursuz” bir y\u00fcze kavu\u015fmas\u0131yla devam eden s\u00fcre\u00e7. Ancak herkes ayn\u0131 y\u00fcz\u00fc sat\u0131n ald\u0131\u011f\u0131nda, biriciklik yerini bir distopyaya b\u0131rak\u0131r.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen: Yelda Bask\u0131n, \u00c7eviren: Dilek Altunta\u015f, Dramaturg: Ceren Ercan, Dekor ve I\u015f\u0131k tasar\u0131m\u0131: Kerem\u00a0\u00c7etinel, Kost\u00fcm Tasar\u0131m\u0131: Tomris Kuzu, Hareket D\u00fczeni: Esra\u00a0Yurttut, M\u00fczik: Okan Kaya, Y\u00f6netmen Yard\u0131mc\u0131s\u0131: \u0130rem Sultan Cengiz, Reji Asistan\u0131: Arda Aky\u00fcz, Oyun foto\u011fraflar\u0131: \u00d6nc\u00fc\u00a0H\u0131rant\u00a0G\u00fcltekin\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular:<\/b>\u00a0Tolga \u0130skit, Ali R\u0131za Kubilay, \u0130lkin T\u00fcfek\u00e7i, Can Esmeray.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan: Leyla Gencer Opera ve Sanat Merkezi |\u00a08-9-22 May\u0131s\u00a0Saat 20.00<\/b>\u00a0<\/p>\n
TER\u00d6R \u2013 Ferdinand\u00a0von\u00a0Schirach\u00a0(\u0130nteraktif Hukuk Dramas\u0131)<\/b>\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Konu:<\/b>\u00a0164 yolcusu bulunan ka\u00e7\u0131r\u0131lm\u0131\u015f bir yolcu u\u00e7a\u011f\u0131, bir ter\u00f6rist taraf\u0131ndan 70 bin ki\u015finin bulundu\u011fu bir stadyuma \u00e7ak\u0131lmak istenmektedir. Bir sava\u015f u\u00e7a\u011f\u0131 pilotu, emre ayk\u0131r\u0131 hareket ederek 164 ki\u015fiyi feda edip 70 bin ki\u015fiyi kurtarmay\u0131 se\u00e7er. “Hayat hayatla tart\u0131labilir mi?” sorusunu merkeze alan oyun, mahkeme salonuna d\u00f6n\u00fc\u015fen sahnede seyirciyi “j\u00fcri” yapar. Her temsilin sonunda yap\u0131lan oylama, oyunun sonucunu ve adaletin rengini belirler.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen:\u00a0Nurkan\u00a0Erpulat, Dramaturg: Irmak Bah\u00e7eci, \u00c7eviri: Y\u00fccel Erten, Dekor\/I\u015f\u0131k: Kerem\u00a0\u00c7etinel, Kost\u00fcm Tomris Kuzu, Oyun Foto\u011fraflar\u0131: Emre Mollao\u011flu, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131: \u0130lkin T\u00fcfek\u00e7i \/ \u0130rem Sultan Cengiz \/ Sevda Karabulut, Afis ve Bro\u015f\u00fcr Tasar\u0131m\u0131: \u00d6nder Sak\u0131p D\u00fcndar \/ Aygen \u0130ncel, Afi\u015f Foto\u011fraf\u0131: \u00d6nc\u00fc\u00a0H\u0131rant\u00a0G\u00fcltekin, Ses Tasar\u0131m\u0131: Melih Y\u00fczer\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular:<\/b>\u00a0Burak Dur (Lars\u00a0Koch), \u00c7etin Etili (Yarbay\u00a0Lauterbach), Fidan Tek Ko\u015far (Hakim), Orhan Kemal Ayd\u0131n (Avukat\u00a0Biegler), \u0130lkin T\u00fcfek\u00e7i (Fransizka\u00a0Meiser), Cihan \u0130nan Bekar \/ G\u00fclce U\u011furlu (Savc\u0131 Nelson).\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan: Leyla Gencer Opera ve Sanat Merkezi |\u00a023\u00a0May\u0131s\u00a0–\u00a020.00<\/b>\u00a0<\/p>\n
\u00c7OCUK OYUNLARINDA PEDAGOJ\u0130K VE SANATSAL V\u0130ZYON<\/b>\u00a0<\/b><\/p>\n
Genel Sanat Y\u00f6netmeni\u00a0Rag\u0131p Sava\u015f<\/b>, \u00e7ocuk tiyatrosuna yakla\u015f\u0131mlar\u0131n\u0131 \u015fu s\u00f6zlerle ifade etti:\u00a0“\u00c7ocuklara y\u00f6nelik tiyatro \u00fcretimini yaln\u0131zca bir repertuvar ba\u015fl\u0131\u011f\u0131 de\u011fil, gelece\u011fe yap\u0131lan en k\u0131ymetli yat\u0131r\u0131mlardan biri olarak g\u00f6r\u00fcyoruz. Sahneyle ilk kez tan\u0131\u015fan bir \u00e7ocu\u011fun hayal d\u00fcnyas\u0131na dokunabilmek; onlar\u0131n d\u00fcnyay\u0131 alg\u0131lama bi\u00e7imini zenginle\u015ftirip, yarat\u0131c\u0131l\u0131k ve ifade becerilerini g\u00fc\u00e7lendirmek en temel \u00f6nceli\u011fimizdir.”<\/i>\u00a0<\/p>\n
Estetik ve Pedagoji Bir Arada<\/b>\u00a0<\/b><\/p>\n
Sava\u015f, oyunlar\u0131n haz\u0131rl\u0131k s\u00fcrecinde \u00e7ocuk geli\u015fiminin hassasiyetle ele al\u0131nd\u0131\u011f\u0131n\u0131 vurgulayarak ekledi:\u00a0“\u00c7ocuk oyunlar\u0131m\u0131z\u0131,\u00a0pedagojik hassasiyetleri<\/b>\u00a0merkezimize alarak, estetik ve sanatsal nitelikten \u00f6d\u00fcn vermeden titizlikle haz\u0131rl\u0131yoruz. Temel amac\u0131m\u0131z; tiyatroyla erken ya\u015fta tan\u0131\u015fan \u00e7ocuklar\u0131n yaln\u0131zca iyi birer izleyici olmalar\u0131n\u0131 sa\u011flamak de\u011fil; ayn\u0131 zamanda\u00a0d\u00fc\u015f\u00fcnen, sorgulayan ve sanatla g\u00fc\u00e7l\u00fc ba\u011flar kuran<\/b>\u00a0bireyler olarak yeti\u015fmelerine katk\u0131 sunmakt\u0131r.”<\/i>\u00a0<\/p>\n
S\u0130H\u0130RL\u0130 OYUNCAK:<\/b>\u00a0Prenses\u00a0Lina\u00a0ve Stella\u2019n\u0131n hikayesiyle m\u00fclkiyet kavram\u0131n\u0131 de\u011fil, payla\u015fman\u0131n getirdi\u011fi ger\u00e7ek mutlulu\u011fu ve empatiyi \u00e7ocuklar\u0131n d\u00fcnyas\u0131na ta\u015f\u0131r.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip<\/b>: Yazan: Zerrin Akdenizli, Y\u00f6netmen Kadir\u00a0Hasman, Dekor\/Kost\u00fcm: Suzan Erbilgin Tunca, Koreografi: G\u00fcl\u00e7in Yi\u011fit, Dramaturg: Irmak Bah\u00e7eci, M\u00fczik tasar\u0131m\u0131: U\u011fur \u00c7erkezo\u011flu,\u00a0Is\u0131k\u00a0tasar\u0131m\u0131: \u0130lker Dursun, Reji asistanlar\u0131: Arda Aky\u00fcz \/ Nadide \u00d6zkaya, Pedagog: Buket Y\u0131lmaz\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Oyuncular<\/b>: Bahar Y\u0131lmazer, Emir Taha Sar\u0131, G\u00fcl\u00e7in Yi\u011fit, Nadide \u00d6zkaya, Taha\u00a0Tegin\u00a0\u00d6zdemir\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mekan:<\/b>\u00a0Leyla Gencer Opera ve Sanat Merkezi\u2019nde\u00a03-17\u00a0May\u0131s saat 13.00\u2019de\u00a0\u00a0\u00a0<\/p>\n
T\u0130YATRONUN B\u00dcY\u00dcS\u00dc<\/b>: Tiyatro Cini Sofi\u2019nin yard\u0131m\u0131yla y\u0131k\u0131lmak istenen bir sanat mabedini kurtarmaya \u00e7al\u0131\u015fan \u00e7ocuklar\u0131n m\u00fccadelesi; dayan\u0131\u015fman\u0131n ve k\u00fclt\u00fcr\u00fcn \u00f6nemini vurgular.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Yazan: \u00d6zlem Sara\u00e7, Y\u00f6netmen: Bur\u00e7 Ara, Hareket D\u00fczeni; Utku Demirkaya, Dekor ve Kost\u00fcm tasar\u0131m\u0131: Ay\u00e7in Tar, I\u015f\u0131k Tasar\u0131m: \u0130lker Dursun, M\u00fczik: Melih Y\u00fczer, \u015eark\u0131 S\u00f6zleri: Faruk \u00dcst\u00fcn, Foto\u011fraflar: Emre Mollao\u011flu, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131: Emre S\u0131r\u0131ms\u0131\/ Ercan Ko\u00e7ak, Asistan: Arda Aky\u00fcz\u00a0<\/p>\n
\u00a0Oyuncular<\/b>: Bur\u00e7 Ara, Ercan Ko\u00e7ak, Can Esmeray, Do\u011fu\u015f Can Uzun, Eda \u00d6zdemir, Emre S\u0131r\u0131ms\u0131, \u0130rem Sultan Cengiz, Murat \u015eenol, Sevda Karabulut\u00a0<\/p>\n
Mekan<\/b>: Leyla Gencer Opera ve Sanat Merkezi\u2019nde\u00a010- 24 May\u0131s\u00a013.00\u2019de\u00a0<\/p>\n
MEKAN VE ER\u0130\u015e\u0130M: SANATA ENGELS\u0130Z ULA\u015eIM<\/b>\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Tarihi Baruthane Sahnesi: \u0130BB Miras ve Bak\u0131rk\u00f6y Belediyesi ortakl\u0131\u011f\u0131yla kente kazand\u0131r\u0131lan 324 ya\u015f\u0131ndaki mekan, tarihle sanat\u0131 bulu\u015fturuyor.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00dccretsiz Servis: Oyun g\u00fcnleri Atak\u00f6y Marmaray\u2019dan (19.00) sahneye ve oyun sonu (21.30) Marmaray\u2019a \u00fccretsiz ring seferleri d\u00fczenlenmektedir.\u00a0<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“Koltuk Senin”: BBT, 25 ya\u015f alt\u0131 t\u00fcm gen\u00e7lere, bo\u015f kapasite dahilinde kap\u0131lar\u0131n\u0131 \u00fccretsiz a\u00e7arak sanat\u0131n demokratikle\u015fmesine \u00f6nc\u00fcl\u00fck ediyor.\u00a0<\/p>\n
\u0130LET\u0130\u015e\u0130M VE B\u0130LET B\u0130LG\u0130LER\u0130<\/b>\u00a0<\/p>\n
Biletler:<\/b>\u00a0Biletinial.com ve BBT Gi\u015feleri.\u00a0Mekan<\/b>: Leyla Gencer Opera ve K\u00fclt\u00fcr Merkezi, Bak\u0131rk\u00f6y\/\u0130stanbul\u00a0Gi\u015fe Tel<\/b>:\u00a00212 414 96 47-48\u00a0\/\u00a00212 661 38\u00a094-95\u00a0Web<\/b>:\u00a0bbt.bel.tr\u00a0|\u00a0Instagram:<\/b>\u00a0@b.b.t.official |\u00a0Facebook:<\/b>\u00a0facebook.com\/pages\/BBT\/8485\u00a0E-posta<\/b>:\u00a0[email protected]<\/a>\u00a0Bas\u0131n ve Halkla \u0130li\u015fkiler<\/b>:\u00a00542 415 73 65\u00a0|\u00a0[email protected]<\/a>\u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":" Bak\u0131rk\u00f6y Belediye Tiyatrolar\u0131 (BBT), 35 y\u0131ll\u0131k k\u00f6kl\u00fc miras\u0131n\u0131 “B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm” mottosuyla dijital \u00e7a\u011fa ve ulusal sahneye ta\u015f\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":12594,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-12593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/12593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=12593"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/12593\/revisions"}],"predecessor-version":[{"id":12595,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/12593\/revisions\/12595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/12594"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=12593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=12593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=12593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}