\u00dcnl\u00fc moda tasar\u0131mc\u0131s\u0131 Sultan Gadimbayli, yeni koleksiyonu \u201cBack to Black\u201d ile bir kez daha Bak\u00fc Fashion Week podyumunda moda d\u00fcnyas\u0131n\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131. Uluslararas\u0131 moda \u00e7evrelerinden \u00f6nemli isimlerin yan\u0131 s\u0131ra Azerbaycan\u2019\u0131n sanat, moda ve cemiyet hayat\u0131ndan se\u00e7kin davetlilerin kat\u0131ld\u0131\u011f\u0131 defile b\u00fcy\u00fck ilgi g\u00f6rd\u00fc. Koleksiyonunu g\u00fc\u00e7l\u00fc ve kariyerinde iz b\u0131rakan kad\u0131nlara ithaf eden Gadimbayli, bu yakla\u015f\u0131m\u0131n\u0131 podyuma da ta\u015f\u0131d\u0131. Defilede; influencer Elnara Birbuet, sunucu Nargiz Jalilova, dans\u00e7\u0131 Tarana Muradova ve ses sanat\u00e7\u0131s\u0131 Tunzale Agayeva gibi kendi alanlar\u0131nda \u00f6ne \u00e7\u0131kan isimler yer ald\u0131. Podyumda bu g\u00fc\u00e7l\u00fc kad\u0131nlar\u0131 g\u00f6ren davetliler, s\u00fcrpriz kar\u015f\u0131s\u0131nda b\u00fcy\u00fck bir heyecan ya\u015farken, final alk\u0131\u015flarla ta\u00e7land\u0131. \u201cBack to Black\u201d, yaln\u0131zca siyaha d\u00f6n\u00fc\u015f\u00fc de\u011fil; \u00f6z\u2019e, sadeli\u011fe ve g\u00fc\u00e7l\u00fc bir ifadeye d\u00f6n\u00fc\u015f\u00fc anlat\u0131yor. Fazlal\u0131klardan ar\u0131nm\u0131\u015f, net ve keskin bir estetik anlay\u0131\u015f\u0131yla \u015fekillenen koleksiyon; modern kad\u0131n\u0131n g\u00fcc\u00fcn\u00fc minimalizm \u00fczerinden yeniden tan\u0131ml\u0131yor. \u0130lham\u0131n\u0131 90\u2019lar\u0131n yal\u0131n moda anlay\u0131\u015f\u0131ndan ve couture disiplininden alan tasar\u0131mlarda kontrol, yap\u0131 ve g\u00fc\u00e7l\u00fc duru\u015f \u00f6n plana \u00e7\u0131k\u0131yor.<\/p>\n
\u00a0<\/p>\n
Koleksiyonda siyah, bir renkten \u00e7ok bir manifesto olarak ele al\u0131n\u0131yor; zamans\u0131z, g\u00fc\u00e7l\u00fc ve tart\u0131\u015fmas\u0131z bir karaktere b\u00fcr\u00fcn\u00fcyor. Jarse ve ak\u0131\u015fkan saten kuma\u015flar bedeni takip eden hareketli bir sil\u00fcet yarat\u0131rken, krep dokular ve yap\u0131land\u0131r\u0131lm\u0131\u015f kesimler tasar\u0131mlara g\u00fc\u00e7l\u00fc bir mimari form kazand\u0131r\u0131yor. Ta\u015f i\u015flemeli jarse y\u00fczeyler \u0131\u015f\u0131\u011f\u0131 dramatik bir \u015fekilde yans\u0131t\u0131rken, k\u00fcrk dokular l\u00fcks\u00fcn en ham ve dokunsal halini sahneye ta\u015f\u0131yor.<\/p>\n
\u00a0<\/p>\n
Omuz detaylar\u0131n\u0131n g\u00fc\u00e7l\u00fc bi\u00e7imde \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131, bel vurgusunun belirginle\u015fti\u011fi koleksiyonda dramatik formlar dikkat \u00e7ekiyor. Asimetrik kesimler ve uzun ak\u0131\u015fkan sil\u00fcetler hareketi hem \u00f6zg\u00fcr b\u0131rak\u0131yor hem de kontroll\u00fc bir estetik i\u00e7erisinde yeniden \u015fekillendiriyor. \u201cBack to Black\u201d, ge\u00e7mi\u015ften ilham alsa da nostaljiye teslim olmuyor; ge\u00e7mi\u015fi bug\u00fcn\u00fcn g\u00fc\u00e7l\u00fc kad\u0131n kimli\u011fiyle yeniden yorumluyor.<\/p>\n
Haute Couture\u2019dan g\u00fcnl\u00fck kullan\u0131ma uzanan geni\u015f tasar\u0131m diliyle dikkat \u00e7eken Sultan Gadimbayli, bu \u00f6zel koleksiyonunda moday\u0131 yaln\u0131zca bir stil de\u011fil, karakter ve ruhun d\u0131\u015favurumu olarak ele al\u0131yor. \u0130nsan ruhunun giyim tarz\u0131na yans\u0131mas\u0131 gerekti\u011fine inanan ba\u015far\u0131l\u0131 tasar\u0131mc\u0131, \u201cBack to Black\u201d ile g\u00fc\u00e7l\u00fc, sade ve zamans\u0131z bir kad\u0131n portresi \u00e7iziyor.<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" \u00dcnl\u00fc moda tasar\u0131mc\u0131s\u0131 Sultan Gadimbayli, yeni koleksiyonu \u201cBack to Black\u201d ile bir kez daha Bak\u00fc Fashion Week podyumunda moda d\u00fcnyas\u0131n\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.<\/p>\n","protected":false},"author":1,"featured_media":19341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-19340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/19340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=19340"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/19340\/revisions"}],"predecessor-version":[{"id":19342,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/19340\/revisions\/19342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/19341"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=19340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=19340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=19340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}