{"id":28932,"date":"2026-08-18T08:28:23","date_gmt":"2026-08-18T08:28:23","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/08\/18\/yesilcamin-uyarlama-gelenegine-yeni-bir-bakis-hollywood-taklidi\/"},"modified":"2026-08-18T08:28:23","modified_gmt":"2026-08-18T08:28:23","slug":"yesilcamin-uyarlama-gelenegine-yeni-bir-bakis-hollywood-taklidi","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/08\/18\/yesilcamin-uyarlama-gelenegine-yeni-bir-bakis-hollywood-taklidi\/","title":{"rendered":"Ye\u015fil\u00e7am\u2019\u0131n uyarlama gelene\u011fine yeni bir bak\u0131\u015f: \u201cHollywood Taklidi\u201d"},"content":{"rendered":"<p> <strong>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131, Iain Robert Smith\u2019in \u201c<em>Hollywood Taklidi\u201d<\/em>\u00a0adl\u0131 kitab\u0131n\u0131 okurlarla bulu\u015fturuyor. Ye\u015fil\u00e7am\u2019\u0131n Hollywood\u2019la kurdu\u011fu ili\u015fkiyi Hint ve Filipin sinemalar\u0131ndaki benzer \u00f6rnekler \u00fczerinden de\u011ferlendiren eser, sinemada taklit kavram\u0131na al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir perspektiften yakla\u015f\u0131yor. Ye\u015fil\u00e7am\u2019\u0131 ne yaln\u0131zca bir kopya \u00fcretimi ne de Bat\u0131\u2019ya kar\u015f\u0131 geli\u015ftirilmi\u015f bir direni\u015f bi\u00e7imi olarak ele alan kitap, taklidin yarat\u0131c\u0131 ve d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir \u00fcretim prati\u011fi olabilece\u011fini savunuyor.\u00a0<\/strong><\/p>\n<p>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131\u2019n\u0131n (VBKY) sanat kitapl\u0131\u011f\u0131, Iain Robert Smith\u2019in kaleme ald\u0131\u011f\u0131, Merve Yal\u00e7\u0131n Pelit\u2019in T\u00fcrk\u00e7eye \u00e7evirdi\u011fi\u00a0<em>\u201cHollywood Taklidi\u201d<\/em>\u00a0ile geni\u015flemeye devam ediyor. Kapsaml\u0131 \u00e7al\u0131\u015fma, Ye\u015fil\u00e7am sinemas\u0131ndaki Hollywood uyarlamalar\u0131n\u0131 Hint ve Filipin sinemalar\u0131ndaki \u00f6rneklerle kar\u015f\u0131la\u015ft\u0131rmal\u0131 bir perspektifle ele al\u0131yor. Smith, Ye\u015fil\u00e7am\u2019\u0131 yaln\u0131zca bir \u201ctaklit\u201d olarak k\u00fc\u00e7\u00fcmseyen ya da Bat\u0131\u2019ya kar\u015f\u0131 bir direni\u015f bi\u00e7imi olarak yorumlayan yakla\u015f\u0131mlar\u0131n \u00f6tesine ge\u00e7erek, taklidi yarat\u0131c\u0131 bir \u00fcretim prati\u011fi olarak de\u011ferlendiriyor. \u201cHollywood mimi\u201dnin yerel k\u00fclt\u00fcr i\u00e7inde varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrebilmek i\u00e7in ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcm\u00fc inceleyen eser, Ye\u015fil\u00e7am\u2019\u0131n b\u00fct\u00e7e k\u0131s\u0131tlamalar\u0131 ve sans\u00fcr gibi zorlu end\u00fcstriyel ko\u015fullar alt\u0131nda Bat\u0131l\u0131 anlat\u0131lar\u0131 f\u0131rsat\u00e7\u0131 bir s\u00f6k\u00fcp takma mant\u0131\u011f\u0131yla nas\u0131l yeniden \u015fekillendirdi\u011fini g\u00f6zler \u00f6n\u00fcne seriyor.\u00a0<em>\u201cHollywood Taklidi\u201d<\/em>, bu y\u00f6n\u00fcyle T\u00fcrk sinemas\u0131n\u0131 k\u00fcresel pop\u00fcler sinema ba\u011flam\u0131nda yeniden de\u011ferlendiren \u00f6zg\u00fcn ve ufuk a\u00e7\u0131c\u0131 bir bak\u0131\u015f sunuyor.<\/p>\n<p><strong>Kitaptan:<\/strong><\/p>\n<p><strong><em>\u201c<\/em><\/strong><em>Hollywood Taklidi b\u00f6ylelikle d\u00fcnya \u00e7ap\u0131ndaki film end\u00fcstrilerinde g\u00f6sterilen lisanss\u0131z Hollywood uyarlamalar\u0131n\u0131 kapsaml\u0131 bir \u015fekil\u00adde inceleyen ilk kitap olma \u00f6zelli\u011fini ta\u015f\u0131yor. Bu olgunun Hong Kong\u2019dan Meksika\u2019ya ve Nijerya\u2019dan Brezilya\u2019ya kadar uzand\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcrsek, bu kitab\u0131n her \u015feyi kapsamas\u0131n\u0131 umamay\u0131z; bundan dolay\u0131 bu kitap \u015fu \u00fc\u00e7 vakay\u0131 inceleyecek: 1970\u2019ten 1982\u2019ye T\u00fcrkiye, 1978\u2019den 1994\u2019e Filipinler ve 1998\u2019den 2010\u2019a Hindistan. Se\u00e7ilen bu \u00fc\u00e7 ulusal ve tarih\u00ee ba\u011flam \u00f6nem ta\u015f\u0131maktad\u0131r. Her bir b\u00f6l\u00fcm\u00fcn giri\u015finde o ba\u011flam\u0131n \u00f6nemine dair uzunca bir a\u00e7\u0131klama yapa\u00adca\u011f\u0131m fakat \u015funa da k\u0131saca a\u00e7\u0131kl\u0131k getirmekte yarar var; se\u00e7ilen d\u00f6nemler i\u00e7inde her bir \u00fclke son derece verimli bir film end\u00fcst\u00adrisine sahip olmu\u015f ve \u00f6zellikle de ulus\u00f6tesi uyarlamalar yo\u011fun\u00adla\u015fm\u0131\u015ft\u0131r. Hollywood sinemas\u0131n\u0131n bu \u00fc\u00e7 end\u00fcstri \u00fczerindeki et\u00adkilerinin \u00e7e\u015fitli y\u00f6nlerini inceleyerek kitap bask\u0131n Amerika\u2019n\u0131n k\u00fclt\u00fcrel h\u00e2kimiyetinin ge\u00e7erli modellerini \u00e7e\u015fitlendirmeyi ve bu k\u00fcresel ak\u0131\u015f ve al\u0131\u015fveri\u015flerin temelini olu\u015fturan politikan\u0131n daha ayr\u0131nt\u0131l\u0131 bir tan\u0131m\u0131n\u0131 yapmay\u0131 ama\u00e7lamaktad\u0131r. Kitap, Amerikan pop\u00fcler k\u00fclt\u00fcr\u00fcyle etkile\u015fime ge\u00e7en farkl\u0131 ulusal sinemalar\u0131n birbiriyle kesi\u015fen \u00f6d\u00fcn\u00e7 alma ve al\u0131\u015fveri\u015f s\u00fcre\u00e7lerine ele\u015ftirel bir dikkat \u00e7ekmektedir. Hollywood\u2019a giderek artan bir \u015fekilde Mar\u00advel ve DC sinema evreninin h\u00e2kim oldu\u011fu bir zamanda bu kitap Hollywood serilerinden \u00f6d\u00fcn\u00e7 alan d\u00fcnya \u00e7ap\u0131ndaki lisanss\u0131z filmlerin ihmal edilmi\u015f tarihine dikkat \u00e7ekmektedir.\u201d<\/em><\/p>\n<p><strong>\u00a0Yazar Hakk\u0131nda;<\/strong><\/p>\n<p>King\u2019s College London\u2019da Sinema \u00c7al\u0131\u015fmalar\u0131 alan\u0131nda K\u0131demli \u00d6\u011fretim \u00dcyesi olarak g\u00f6rev yapmaktad\u0131r. Lisans e\u011fitimini Glasgow \u00dcniversitesinde, y\u00fcksek lisans ve doktoras\u0131n\u0131 ise Nottingham \u00dcniversitesi Sinema \u0130ncelemeleri b\u00f6l\u00fcm\u00fcnde tamamlam\u0131\u015ft\u0131r.\u00a0<em>Hollywood Taklidi: D\u00fcnya Sinemas\u0131nda Ulus\u00f6tesi Uyarlamalar\u00a0<\/em>(2016) kitab\u0131n\u0131n yazar\u0131,\u00a0<em>Transnational Film Remakes\u00a0<\/em>(2017) ve\u00a0<em>Media Across Borders\u00a0<\/em>(2016) derlemelerinin ise e\u015f edit\u00f6rlerindendir. SCMS Ulus\u00f6tesi Sinemalar akademik \u00e7al\u0131\u015fma grubunun kurucu ortaklar\u0131ndan olan Smith, 2018 y\u0131l\u0131nda \u0130ngiltere\u2019de AHRC (Sanat ve Be\u015fer\u00ee Bilimler Ara\u015ft\u0131rma Konseyi) ve BBC taraf\u0131ndan \u201cYeni Nesil D\u00fc\u015f\u00fcn\u00fcr\u201d se\u00e7ilmi\u015ftir. Ayr\u0131ca\u00a0<em>Transnational Screens\u00a0<\/em>ve\u00a0<em>Intensities\u00a0<\/em>gibi akademik dergiler ile \u00e7e\u015fitli sinema kitap serilerinin yay\u0131n kurullar\u0131nda aktif olarak yer almaktad\u0131r.<\/p>\n<p><strong>K\u00dcNYE<\/strong><\/p>\n<p><strong>Yay\u0131nevi: VBKY<\/strong><\/p>\n<p><strong>Kategori: Sanat\u00a0<\/strong><\/p>\n<p><strong>Kitab\u0131n ad\u0131:\u00a0Hollywood Taklidi<\/strong><\/p>\n<p><strong>Yazar:\u00a0<\/strong><strong>Iain Robert Smith<\/strong><\/p>\n<p><strong>T\u00fcrk\u00e7esi: Merve Yal\u00e7\u0131n Pelit<\/strong><\/p>\n<p><strong>Proje ve Kitap Edit\u00f6r\u00fc: Mesut Bostan \u00a0<\/strong><\/p>\n<p><strong>Sayfa Uygulama: Y\u00fcmna Sar\u0131kaya<\/strong><\/p>\n<p><strong>Son Okuma: B\u00fc\u015franur Hazar<\/strong><\/p>\n<p><strong>Kapak G\u00f6rseli: Faruk \u00d6zcan<\/strong><\/p>\n<p><strong>Sayfa say\u0131s\u0131: 288<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131, Iain Robert Smith\u2019in \u201cHollywood Taklidi\u201d\u00a0adl\u0131 kitab\u0131n\u0131 okurlarla bulu\u015fturuyor.<\/p>\n","protected":false},"author":1,"featured_media":28933,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-28932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/28932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=28932"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/28932\/revisions"}],"predecessor-version":[{"id":28934,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/28932\/revisions\/28934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/28933"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=28932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=28932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=28932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}