{"id":30327,"date":"2026-08-26T08:29:36","date_gmt":"2026-08-26T08:29:36","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/08\/26\/brezilya-sinemasi-ve-ulusal-kimligine-dair-ayrintili-bir-inceleme-brezilya-ulusal-sinemasi\/"},"modified":"2026-08-26T08:29:36","modified_gmt":"2026-08-26T08:29:36","slug":"brezilya-sinemasi-ve-ulusal-kimligine-dair-ayrintili-bir-inceleme-brezilya-ulusal-sinemasi","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/08\/26\/brezilya-sinemasi-ve-ulusal-kimligine-dair-ayrintili-bir-inceleme-brezilya-ulusal-sinemasi\/","title":{"rendered":"Brezilya sinemas\u0131 ve ulusal kimli\u011fine dair ayr\u0131nt\u0131l\u0131 bir inceleme: \u201cBrezilya Ulusal Sinemas\u0131\u201d"},"content":{"rendered":"

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Lisa Shaw ve Stephanie Dennison\u2019un kaleme ald\u0131\u011f\u0131\u00a0\u201cBrezilya Ulusal Sinemas\u0131\u201d<\/em>\u00a0adl\u0131 kitab\u0131 okurlarla bulu\u015fturuyor. Eser, son d\u00f6nemlerde ortaya \u00e7\u0131kan y\u0131ld\u0131z teorilerini, \u00fcnl\u00fc Brezilyal\u0131 oyuncular\u0131n yan\u0131 s\u0131ra daha az bilinen yerli ikonlara uyguluyor. Ulusal Sinemalar dizisinin bu yeni halkas\u0131, Brezilya sinemas\u0131 ile ulusal ve k\u00fclt\u00fcrel kimlik meseleleri aras\u0131ndaki ili\u015fkiye kapsaml\u0131 bir bak\u0131\u015f sunuyor.<\/strong><\/p>\n

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131’n\u0131n (VBKY) Sanat Kitapl\u0131\u011f\u0131, Ulusal Sinemalar serisinin yeni halkas\u0131\u00a0\u201cBrezilya Ulusal Sinemas\u0131\u201d<\/em>\u00a0ile geni\u015flemeye devam ediyor. Lisa Shaw ve Stephanie Dennison\u2019un kaleme ald\u0131\u011f\u0131, Fatma B\u00fc\u015fra \u00c7al\u0131\u015f taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilen eser; Brezilya sinemas\u0131n\u0131n tarihini, ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcmleri ve k\u00fclt\u00fcrel dinamiklerini kapsaml\u0131 bir bak\u0131\u015fla ele alarak bu alanda \u00f6nemli bir ba\u015fvuru kayna\u011f\u0131 niteli\u011fi ta\u015f\u0131yor. Brezilya sinema tarihine ar\u015fivlik bir katk\u0131 sunan kitap, bug\u00fcne dek \u00e7o\u011fu zaman g\u00f6z ard\u0131 edilen pop\u00fcler film t\u00fcrlerini hak ettikleri konuma ta\u015f\u0131rken, 1960\u2019l\u0131 y\u0131llarda uluslararas\u0131 alanda b\u00fcy\u00fck yank\u0131 uyand\u0131ran avangart\u00a0Cinema Novo<\/em>\u00a0ak\u0131m\u0131n\u0131 da g\u00fcncel bir bak\u0131\u015f a\u00e7\u0131s\u0131yla de\u011ferlendiriyor. Shaw ve Dennison, \u00f6zellikle etnik k\u00f6ken ve \u0131rk ekseninde son y\u0131llarda geli\u015fen y\u0131ld\u0131z kuramlar\u0131n\u0131 hem d\u00fcnyaca tan\u0131nan Brezilyal\u0131 oyuncular hem de daha az bilinen yerel sinema ikonlar\u0131 \u00fczerinden inceliyor. B\u00f6ylece eser, yaln\u0131zca \u00fclke sinemas\u0131n\u0131n estetik ve tarihsel geli\u015fimini de\u011fil, ulusal kimlik, k\u00fclt\u00fcrel temsil ve toplumsal d\u00f6n\u00fc\u015f\u00fcmle kurdu\u011fu \u00e7ok katmanl\u0131 ili\u015fkiyi de g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Ulusal Sinemalar dizisinin \u00f6nemli bir par\u00e7as\u0131 olan\u00a0\u201cBrezilya Ulusal Sinemas\u0131\u201d<\/em>, bu sinema gelene\u011fini tarihsel, k\u00fclt\u00fcrel ve toplumsal ba\u011flamlar\u0131yla ele alarak anlamak isteyen okurlar i\u00e7in kapsaml\u0131 ve de\u011ferli bir kaynak olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n

Kitaptan:<\/strong><\/p>\n

\u201cPek \u00e7ok d\u00fcnya sinemas\u0131nda tan\u0131k oldu\u011fumuz \u00fczere k\u00fcresel ve ekonomik kriz d\u00f6nemlerinde film yap\u0131m oranlar\u0131ndaki d\u00fc\u015f\u00fc\u015f istisnalar\u0131yla birlikte, Brezilya\u2019daki film yap\u0131m\u0131 on dokuzuncu y\u00fczy\u0131l\u0131n son on y\u0131l\u0131n\u0131n ba\u015flang\u0131c\u0131ndan bu yana istikrar yakalam\u0131\u015ft\u0131r. Brezilya sinemas\u0131 hem yurt i\u00e7indeki hem de d\u0131\u015far\u0131daki izleyicilerin ilgisini uyand\u0131rabilmi\u015ftir (12 milyondan fazla insan Dona Flor e seus dois maridos [Dona Flor ve \u0130ki Kocas\u0131] filmini izlemeye gitti) ve Cidade de Deus da (Tanr\u0131 Kent, 2002) Birle\u015fik Krall\u0131k\u2019ta izlenen yabanc\u0131 filmler aras\u0131nda t\u00fcm zamanlar\u0131n en k\u00e2rl\u0131 \u00fc\u00e7\u00fcnc\u00fc filmiydi. Brezilya filmleri 1950\u2019lerden beri d\u00fczenli olarak uluslararas\u0131 \u00f6d\u00fcller kazanmaktad\u0131r. Brezilya sinemas\u0131 da ele\u015ftirmenlerce be\u011fenilen ve epeyce etkili avangart\/sanat sinemas\u0131 hareketiyle -cinema novo- iftihar edebilir ve dolay\u0131s\u0131yla Brezilya\u2019da \u201culusal sinema\u201dn\u0131n varl\u0131\u011f\u0131 davas\u0131na destek \u00e7\u0131kabilir.\u201d<\/em><\/p>\n

Yazarlar Hakk\u0131nda<\/strong><\/p>\n

Lisa\u00a0Shaw<\/strong><\/p>\n

Liverpool \u00dcniversitesinde Portekiz ve Brezilya \u00c7al\u0131\u015fmalar\u0131 profes\u00f6r\u00fcd\u00fcr.\u00a0The Social History of the Brazilian Samba\u00a0<\/em>[Brezilya Sambas\u0131n\u0131n Toplumsal Tarihi] adl\u0131 kitab\u0131n yazar\u0131,\u00a0Popular Cinema in Brazil\u00a0<\/em>[Brezilya\u2019da Pop\u00fcler Sinema] (2004) kitab\u0131n\u0131n ortak yazar\u0131,\u00a0Latin American Cinema: Essays on Modernity, Gender and National Identity\u00a0<\/em>[Latin Amerika Sinemas\u0131: Modernite, Toplumsal Cinsiyet ve Ulusal Kimlik] (2005) kitab\u0131n\u0131n ortak edit\u00f6r\u00fcd\u00fcr.<\/p>\n

Stephanie Dennison<\/strong><\/p>\n

Leeds \u00dcniversitesinde Brezilya \u00c7al\u0131\u015fmalar\u0131 profes\u00f6r\u00fcd\u00fcr.\u00a0Popular Cinema in Brazil\u00a0<\/em>[Brezilya\u2019da Pop\u00fcler Sinema] kitab\u0131n\u0131n ortak yazar\u0131, Latin American Cinema: Essays on Modernity, Gender and National Identity\u00a0<\/em>[Latin Amerika Sinemas\u0131: Modernite, Toplumsal Cinsiyet ve Ulusal Kimlik] (2005) ve\u00a0Remapping World Cinema: Identity, Politics and Culture in Film\u00a0<\/em>[D\u00fcnya Sinemas\u0131n\u0131 Yeniden Haritalamak: Filmlerde Kimlik, Siyaset ve K\u00fclt\u00fcr] (2006) kitaplar\u0131n\u0131n ortak edit\u00f6r\u00fcd\u00fcr.<\/p>\n

K\u00dcNYE<\/strong><\/p>\n

Yay\u0131nevi: VBKY<\/strong><\/p>\n

Kategori: Sanat<\/strong><\/p>\n

Kitab\u0131n ad\u0131: Brezilya Ulusal Sinemas\u0131\u00a0<\/strong><\/p>\n

Yazar: Lisa Shaw, Stephanie Dennison<\/strong><\/p>\n

T\u00fcrk\u00e7esi: Fatma B\u00fc\u015fra \u00c7al\u0131\u015f<\/strong><\/p>\n

Proje Edit\u00f6r\u00fc: Mesut Bostan<\/strong><\/p>\n

Kapak ve Sayfa Uygulama: Faruk \u00d6zcan<\/strong><\/p>\n

Son Okuma: Handan \u00d6yken\u00a0<\/strong><\/p>\n

Sayfa say\u0131s\u0131: 392<\/strong><\/p>\n

\u00a0<\/p>\n

Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Lisa Shaw ve Stephanie Dennison\u2019un kaleme ald\u0131\u011f\u0131\u00a0\u201cBrezilya Ulusal Sinemas\u0131\u201d\u00a0adl\u0131 kitab\u0131 okurlarla bulu\u015fturuyor.<\/p>\n","protected":false},"author":1,"featured_media":30328,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-30327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/30327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=30327"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/30327\/revisions"}],"predecessor-version":[{"id":30329,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/30327\/revisions\/30329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/30328"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=30327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=30327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=30327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}