{"id":34354,"date":"2026-09-17T14:18:19","date_gmt":"2026-09-17T11:18:19","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/09\/17\/klasik-fars-edebiyatinin-saheseri-bir-kissa-bin-hisse-dogunun-en-guzel-hikayeleri-2-cildiyle-turkcede\/"},"modified":"2026-09-17T14:18:19","modified_gmt":"2026-09-17T11:18:19","slug":"klasik-fars-edebiyatinin-saheseri-bir-kissa-bin-hisse-dogunun-en-guzel-hikayeleri-2-cildiyle-turkcede","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/09\/17\/klasik-fars-edebiyatinin-saheseri-bir-kissa-bin-hisse-dogunun-en-guzel-hikayeleri-2-cildiyle-turkcede\/","title":{"rendered":"Klasik Fars edebiyat\u0131n\u0131n \u015faheseri \u201cBir K\u0131ssa Bin Hisse- Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri\u201d 2.cildiyle T\u00fcrk\u00e7ede"},"content":{"rendered":"

\u00a0Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Avf\u00ee\u2019nin kaleme ald\u0131\u011f\u0131\u00a0\u201cBir K\u0131ssa Bin Hisse – Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri\u201d<\/em>\u00a0adl\u0131 kitab\u0131n ikinci cildini okurlarla bulu\u015fturuyor. On \u00fc\u00e7\u00fcnc\u00fc y\u00fczy\u0131l klasik Fars edebiyat\u0131n\u0131n en \u00f6nemli \u015faheserlerinden biri olan\u00a0Cev\u00e2mi\u00fc\u2019l-hik\u00e2y\u00e2t<\/em>, Avf\u00ee\u2019nin \u00f6zenle se\u00e7ti\u011fi anlat\u0131lar\u0131n bir araya getirildi\u011fi kapsaml\u0131 bir hik\u00e2yeler mecmuas\u0131d\u0131r. Osmanl\u0131 d\u00f6neminde yaln\u0131zca se\u00e7ili bir b\u00f6l\u00fcm\u00fc terc\u00fcme edilen, g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esine ise bug\u00fcne kadar \u00e7evrilmeyen bu eser, dolay\u0131s\u0131yla g\u00fcn\u00fcm\u00fcz okurlar\u0131 taraf\u0131ndan da pek bilinmiyor. Serinin ikinci cildinde, bu \u00f6nemli eser ilk kez g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esiyle daha geni\u015f bir okur kitlesinin kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor.<\/strong>\u00a0<\/em><\/strong><\/p>\n

Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131\u2019n\u0131n klasik kitapl\u0131\u011f\u0131, Avf\u00ee\u2019nin kaleme ald\u0131\u011f\u0131 ve Elif \u00c7eviker\u2019in dilimize \u00e7evirdi\u011fi\u00a0\u201cBir K\u0131ssa Bin Hisse –<\/em>\u00a0Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri<\/em>\u201d<\/em>\u00a0adl\u0131 eserin ikinci cildiyle geni\u015flemeye devam ediyor. On \u00fc\u00e7\u00fcnc\u00fc y\u00fczy\u0131l klasik Fars edebiyat\u0131n\u0131n en \u00f6nemli \u015faheserlerinden biri kabul edilen\u00a0Cev\u00e2mi\u00fc\u2019l-hik\u00e2y\u00e2t<\/em>\u2019tan derlenen hik\u00e2yeler aras\u0131ndan se\u00e7ilen anlat\u0131lar\u0131 bir araya getiren eser, bu \u00f6nemli klasi\u011fi g\u00fcn\u00fcm\u00fcz okurlar\u0131yla bulu\u015fturuyor. Osmanl\u0131 d\u00f6neminde yaln\u0131zca belirli b\u00f6l\u00fcmleri terc\u00fcme edilen\u00a0Cev\u00e2mi\u00fc\u2019l-hik\u00e2y\u00e2t<\/em>, g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esine b\u00fct\u00fcn\u00fcyle kazand\u0131r\u0131lmam\u0131\u015ft\u0131. Serinin ikinci cildi olan \u201cBir K\u0131ssa Bin Hisse –<\/em>\u00a0Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri<\/em>\u201dnde Avf\u00ee, insan ve toplum hayat\u0131n\u0131 olumsuz etkileyen k\u00f6t\u00fc huylar\u0131 ele al\u0131yor. Haset, h\u0131rs, a\u00e7g\u00f6zl\u00fcl\u00fck, yalan, cehalet ve s\u00f6z\u00fcnde durmama gibi davran\u0131\u015flar, Kur\u2019an, hadis ve klasik ahlak kitaplar\u0131na yap\u0131lan g\u00f6ndermelerle tan\u0131mlan\u0131rken, her biri ibret verici ve \u00e7o\u011fu zaman mizahi nitelik ta\u015f\u0131yan hik\u00e2yelerle \u00f6rneklendiriliyor. Avf\u00ee, k\u00f6t\u00fc huylar\u0131 yaln\u0131zca tasvir etmekle kalm\u0131yor; bunlardan kurtulman\u0131n yollar\u0131n\u0131 ve faziletli davran\u0131\u015flara ula\u015fman\u0131n imk\u00e2nlar\u0131n\u0131 da g\u00f6steriyor. Hik\u00e2yelerinde birey ile kusuru aras\u0131nda ayr\u0131m yaparak yarg\u0131lay\u0131c\u0131 de\u011fil, \u00f6\u011fretici bir yakla\u015f\u0131m benimseyen Avf\u00ee, \u00e7o\u011fu zaman anlat\u0131n\u0131n sonunda k\u0131ssadan hisse niteli\u011finde, hik\u00e2yeden \u00e7\u0131kar\u0131lmas\u0131 gereken dersi ve fayday\u0131 a\u00e7\u0131k\u00e7a ortaya koyuyor. Y\u00fczy\u0131llar \u00f6ncesinden aktar\u0131lan bu insan manzaralar\u0131, zaman\u0131n de\u011fi\u015fmesine ra\u011fmen insan tabiat\u0131n\u0131n \u00f6z\u00fcnde ne denli ayn\u0131 kald\u0131\u011f\u0131n\u0131 yeniden d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. Bu klasi\u011fi okurken bir k\u0131ssadan bin hisse \u00e7\u0131karman\u0131z \u00fcmidiyle\u2026<\/p>\n

Kitaptan:<\/strong><\/p>\n

\u201c\u00c7evirisini sundu\u011fumuz hik\u00e2yeler, k\u00f6t\u00fc huylardan bah\u00adsetmekte olup eserin \u00fc\u00e7\u00fcnc\u00fc k\u0131sm\u0131n\u0131n ilk on bir b\u00f6l\u00fcm\u00fcn\u00fc ih\u00adtiva eder. Eserde mukaddimeden sonra her bir b\u00f6l\u00fcm i\u00e7in bir giri\u015f ve sonu\u00e7 b\u00f6l\u00fcm\u00fc bulunur. Giri\u015f k\u0131s\u0131mlar\u0131nda genellikle bir ayet, hadis veya \u00e2limlerin s\u00f6zleri ile s\u00f6ze ba\u015flan\u0131r ve b\u00f6l\u00fc\u00adm\u00fcn konu edindi\u011fi k\u00f6t\u00fc huyun tan\u0131m\u0131 yap\u0131l\u0131r. K\u00f6t\u00fc bir huya ayr\u0131lan her bir b\u00f6l\u00fcm i\u00e7inde en az yedi ve en fazla yirmi olmak \u00fczere toplam 126 hik\u00e2ye vard\u0131r. Anlat\u0131lan hik\u00e2yelerin bir k\u0131s\u00adm\u0131n\u0131n kayna\u011f\u0131 belirtilmi\u015f, bir k\u0131sm\u0131 ise kaynak belirtilmeden nakledilmi\u015ftir. Avf\u00ee kulland\u0131\u011f\u0131 kaynaklardaki bilgileri de ken\u00addi yorum ve \u00fcslubuyla aktarm\u0131\u015ft\u0131r. Hik\u00e2yeler, bazen belirli bir kaynaktan aktar\u0131ld\u0131\u011f\u0131 gibi, bazen de birinden rivayet edilerek ya da i\u015fitilerek nakledilir. Aktaran ki\u015fi kimi zaman belirtil\u00admi\u015f, kimi zaman ise hik\u00e2yeye \u201crivayet edilir ki\u201d, \u201canlat\u0131l\u0131r ki\u201d, \u201cnakledilir ki\u201d gibi geleneksel hik\u00e2ye ifadeleriyle ba\u015flanm\u0131\u015ft\u0131r. Her hik\u00e2yenin sonunda Avf\u00ee, anlat\u0131lmak isteneni a\u00e7\u0131klay\u0131c\u0131 ve \u00f6zetleyici bir sonu\u00e7 c\u00fcmlesi ile belirtir ve bu hik\u00e2yeden oku\u00adyucuya d\u00fc\u015fen pay\u0131, yani k\u0131ssadan hisseyi aktar\u0131r. Bunu da Avf\u00ee okuyucuya b\u0131rakmadan ya hik\u00e2ye kahraman\u0131n\u0131n a\u011fz\u0131ndan ya kendi dilinden ya da ayet, hadis veya beyitle ifade eder. Hik\u00e2\u00adyelerin baz\u0131s\u0131 iki c\u00fcmleden ibaret olsa bile ondan \u00e7\u0131kar\u0131lacak dersler yaz\u0131lacak olsa sayfalar\u0131 doldurur. \u00c7o\u011fu, m\u00fcellif taraf\u0131n\u00addan yaz\u0131lm\u0131\u015f ve di\u011fer bir k\u0131sm\u0131 H\u00e2k\u00e2n\u00ee, Firdevs\u00ee, \u0130bn\u00fc\u2019l-Mu\u2018tez, Sen\u00e2\u00ee, Enver\u00ee, Z\u00e2hir\u00ee ve Muizz\u00ee vb. Arap ve \u0130ranl\u0131 \u015fairlere ait 17\u2019si Arap\u00e7a olmak \u00fczere eserde toplam 143 beyit \u015fiire de yer verilmi\u015ftir.\u201d<\/em><\/p>\n

\u00a0Yazar Hakk\u0131nda;<\/strong><\/p>\n

XII. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131 ila XIII. y\u00fczy\u0131l\u0131n ilk \u00e7eyre\u011fi aras\u0131nda ya\u015fad\u0131\u011f\u0131 bilinen \u00e2lim, vaiz ve \u015fair Avf\u00ee, Buhara\u2019da do\u011fmu\u015ftur. \u0130lim tahsilini Buhara\u2019da h\u00fck\u00fcm s\u00fcren bir ulem\u00e2 ailesi olan Burhano\u011fullar\u0131ndan \u00d6mer b. Mesud b. Ahmed gibi b\u00fcy\u00fck din \u00e2limlerinin yan\u0131nda alan Avf\u00ee, daha sonra do\u011fdu\u011fu yerden ayr\u0131larak Semerkant\u2019a gider. Burada Sultan Tamga\u00e7 Han\u2019\u0131n saray\u0131na girer. Yetene\u011fi ve zek\u00e2s\u0131 sayesinde \u00e7ok ge\u00e7meden \u015fehzade K\u0131l\u0131carslan Hakan Nusret\u00fcddin\u2019e tan\u0131t\u0131l\u0131r ve divan-\u0131 in\u015fa makam\u0131n\u0131n sorumlulu\u011funu \u00fcstlenir. Daha sonra bu g\u00f6revinden ayr\u0131lan Avf\u00ee, Horasan ve Hindistan\u2019\u0131n bir\u00e7ok \u015fehrini gezer. Yolculuklar\u0131nda \u00f6nemli \u00e2lim ve \u015feyhlerle tan\u0131\u015f\u0131r. Mo\u011fol sald\u0131r\u0131s\u0131n\u0131n ba\u015f g\u00f6stermesi \u00fczerine Sistan\u2019a giden Avf\u00ee, N\u00e2s\u0131r\u00fcddin Kab\u00e2ce\u2019nin saray\u0131na girer. Avf\u00ee, yolculuklar\u0131 s\u0131ras\u0131nda edindi\u011fi tecr\u00fcbe ve notlar\u0131 ile\u00a0L\u00fcb\u00e2b\u00fc\u2019l-elb\u00e2b\u00a0<\/em>adl\u0131 eserini haz\u0131rlar ve eseri Kab\u00e2ce\u2019nin vezirine ithaf eder. Delhi sultan\u0131 \u0130ltutm\u0131\u015f\u2019\u0131n Kab\u00e2ce\u2019yi yenmesi \u00fczerine Delhi\u2019ye getirilen Avf\u00ee,\u00a0Cev\u00e2mi\u2018u\u2019l-hik\u00e2y\u00e2t<\/em>\u2019\u0131 burada tamamlam\u0131\u015f ve eserini Delhi sultan\u0131n\u0131n vezirine ithaf etmi\u015ftir (1228). Avf\u00ee\u2019nin \u00f6l\u00fcm tarihi kesin olarak bilinmemekle birlikte 1232 y\u0131l\u0131na kadar ya\u015fad\u0131\u011f\u0131 tahmin edilmektedir.<\/p>\n

K\u00dcNYE<\/strong><\/p>\n

Yay\u0131nevi: VBKY<\/strong><\/p>\n

Kitab\u0131n ad\u0131:<\/strong>\u00a0Bir K\u0131ssa Bin Hisse – Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri – 2.cilt \u00a0<\/strong><\/p>\n

Yazar:<\/strong>\u00a0Avf\u00ee<\/strong><\/p>\n

Kategori: Klasik\u00a0<\/strong><\/p>\n

T\u00fcrk\u00e7esi: Elif \u00c7eviker<\/strong><\/p>\n

Proje Edit\u00f6r\u00fc: \u00d6mer Uzuna\u011fa\u00e7<\/strong><\/p>\n

Kitap Edit\u00f6rleri: Turgay \u015eafak, Mehmet Ar\u0131kan<\/strong><\/p>\n

Son Okuma: Beyzanur Sar\u0131\u00e7am<\/strong><\/p>\n

Kapak ve Sayfa Uygulama: Faruk \u00d6zcan<\/strong><\/p>\n

Sayfa Say\u0131s\u0131: 296\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/p>\n

Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Avf\u00ee\u2019nin kaleme ald\u0131\u011f\u0131\u00a0\u201cBir K\u0131ssa Bin Hisse – Do\u011fu\u2019nun En G\u00fczel Hik\u00e2yeleri\u201d\u00a0adl\u0131 kitab\u0131n ikinci cildini okurlarla bulu\u015fturuyor.<\/p>\n","protected":false},"author":1,"featured_media":34355,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-34354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/34354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=34354"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/34354\/revisions"}],"predecessor-version":[{"id":34356,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/34354\/revisions\/34356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/34355"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=34354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=34354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=34354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}