Besteci, m\u00fczisyen ve m\u00fczik yap\u0131mc\u0131s\u0131 Hakan Kur\u015fun\u2019un 1996 y\u0131l\u0131nda RAKS \u2013 S M\u00fczik taraf\u0131ndan yay\u0131mlanan Kaos alb\u00fcm\u00fc, 30. y\u0131l\u0131nda ilk kez LP format\u0131nda m\u00fczikseverlerle bulu\u015ftu. Pb M\u00fczik Yap\u0131m Ltd. taraf\u0131ndan haz\u0131rlanan, ilk bask\u0131s\u0131 500 adet olan alb\u00fcm, se\u00e7ili plak ma\u011fazalar\u0131nda ve \u00e7evrim i\u00e7i sat\u0131\u015f noktalar\u0131nda yerini ald\u0131.<\/p>\n
On par\u00e7adan olu\u015fan Kaos, Kur\u015fun\u2019un b\u00fct\u00fcn enstr\u00fcmanlar\u0131n\u0131 kendisinin \u00e7ald\u0131\u011f\u0131, kay\u0131t ve m\u00fczik yap\u0131m\u0131n\u0131 tek ba\u015f\u0131na \u00fcstlendi\u011fi bir \u00e7al\u0131\u015fma. Yeni LP bask\u0131s\u0131 i\u00e7in mastering i\u015flemi de sanat\u00e7\u0131 taraf\u0131ndan ger\u00e7ekle\u015ftirildi.<\/p>\n
Kaos\u2019un Hik\u00e2yesi<\/p>\n
Lise ve \u00fcniversite y\u0131llar\u0131nda \u00e7e\u015fitli m\u00fczik topluluklar\u0131nda gitar ve davul \u00e7alan Hakan Kur\u015fun, evinde d\u00f6rt kanall\u0131 kay\u0131t cihaz\u0131yla demolar haz\u0131rlad\u0131. Ses kay\u0131t teknolojileri \u00fczerine e\u011fitim almak i\u00e7in 1988 y\u0131l\u0131nda Viyana\u2019ya ta\u015f\u0131nd\u0131. E\u011fitiminin ard\u0131ndan Var\u015fova ve \u0130stanbul\u2019da m\u00fczik yap\u0131mc\u0131s\u0131, aranj\u00f6r, ses m\u00fchendisi ve m\u00fczisyen olarak \u00e7ok say\u0131da alb\u00fcmde \u00e7al\u0131\u015ft\u0131; Var\u015fova\u2019da kulland\u0131\u011f\u0131 \u0130ngiliz yap\u0131m\u0131 ileri kay\u0131t teknolojilerini T\u00fcrkiye\u2019de tan\u0131tt\u0131.<\/p>\n
1995 y\u0131l\u0131nda kendi alb\u00fcm\u00fcne odaklanmak i\u00e7in di\u011fer \u00e7al\u0131\u015fmalar\u0131na ara verdi. \u0130stanbul\u2019daki Mar\u015fandiz St\u00fcdyosu\u2019nda yakla\u015f\u0131k alt\u0131 ay s\u00fcren kay\u0131tlar\u0131 tek ba\u015f\u0131na y\u00fcr\u00fctmesinin nedeni, sesler \u00fczerinde istedi\u011fi yarat\u0131c\u0131 kontrol\u00fc sa\u011flamakt\u0131.<\/p>\n
Alb\u00fcmdeki on bestenin tamam\u0131 Kur\u015fun\u2019a ait. \u201cKimsin\u201d d\u0131\u015f\u0131ndaki \u015fark\u0131lar\u0131n s\u00f6zlerini de sanat\u00e7\u0131 yazd\u0131; \u201cKimsin\u201din s\u00f6zlerini ise babas\u0131 Kublay Kur\u015fun kaleme ald\u0131. Alb\u00fcm\u00fcn kapak foto\u011fraf\u0131n\u0131 Faruk Akba\u015f \u00e7ekti, grafik tasar\u0131m\u0131n\u0131 Funda \u00c7olpan haz\u0131rlad\u0131. \u201cBo\u011faz\u0131n \u00dcst\u00fcnde\u201d \u015fark\u0131s\u0131na Ate\u015f Tezer y\u00f6netmenli\u011finde bir m\u00fczik videosu \u00e7ekildi.<\/p>\n
Analog Kay\u0131tlardan LP Format\u0131na<\/p>\n
Kaos\u2019un kay\u0131tlar\u0131nda Otari MTR 90 \u00e7ok izli ses kay\u0131t cihaz\u0131 ve SSL 4000 G serisi ses mikseri kullan\u0131ld\u0131. Mastering a\u015famas\u0131nda Apogee A\/D d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc ile Sony Digital Audio Tape teknolojisinden yararlan\u0131ld\u0131. 1996\u2019daki kaset bask\u0131s\u0131 ADA (Analog Recording, Digital Master, Analog Media), CD bask\u0131s\u0131 ise ADD (Analog Recording, Digital Master, Digital Media) kay\u0131t zinciriyle tan\u0131mland\u0131.<\/p>\n
2026 LP bask\u0131s\u0131 i\u00e7in dijital ses dosyalar\u0131 plak format\u0131na \u00f6zel mastering i\u015fleminden ge\u00e7irildi. Analog teknolojiyi \u201ckesintisiz zaman teknolojisi\u201d, dijital kay\u0131t teknolojisini ise \u201cayr\u0131k zaman teknolojisi\u201d olarak tan\u0131mlayan Kur\u015fun, yeni bask\u0131n\u0131n sesine ili\u015fkin \u015fu de\u011ferlendirmeyi yap\u0131yor:<\/p>\n
\u201cPlakta, st\u00fcdyoda i\u015fitti\u011fim sese \u00e7ok yak\u0131n bir t\u0131n\u0131 var!\u201d<\/p>\n
30. Y\u0131l LP Bask\u0131s\u0131<\/p>\n
Yeni bask\u0131da orijinal kapak foto\u011fraf\u0131n\u0131n dijital aktar\u0131m ve g\u00f6rsel d\u00fczenlemelerini \u00d6zlem Semiz ile Mert Kibar, LP grafik tasar\u0131m\u0131n\u0131 Kaan G\u00fcryuva ger\u00e7ekle\u015ftirdi. Alb\u00fcm, Pb M\u00fczik Yap\u0131m Ltd. taraf\u0131ndan yay\u0131mland\u0131.<\/p>\n
Alb\u00fcm \u015eark\u0131 Listesi<\/p>\n
A Y\u00fcz\u00fc
1. Hat\u0131rla \u2013 3:54
2. Bo\u011faz\u0131n \u00dcst\u00fcnde \u2013 3:39
3. Bitti \u2013 4:46
4. Ayr\u0131 Yollar \u2013 4:44
5. Kimsin \u2013 4:26<\/p>\n
B Y\u00fcz\u00fc
1. Uyanma Vakti Geldi \u2013 3:58
2. Elveda \u2013 3:53
3. Bakma \u2013 2:49
4. Orient Space Mix \u2013 5:26
5. Da\u011flar \u2013 3:51<\/p>\n
Alb\u00fcm K\u00fcnyesi<\/p>\n
S\u00f6z ve M\u00fczik: Hakan Kur\u015fun (\u201cKimsin\u201d s\u00f6zleri: Kublay Kur\u015fun)<\/p>\n
Enstr\u00fcmanlar, Kay\u0131t ve M\u00fczik Yap\u0131m\u0131: Hakan Kur\u015fun<\/p>\n
Kay\u0131t St\u00fcdyosu: Mar\u015fandiz B, \u0130stanbul<\/p>\n
Mastering (1996): Duyal Karag\u00f6zo\u011flu ve Hakan Kur\u015fun<\/p>\n
LP Mastering (2026): Hakan Kur\u015fun<\/p>\n
1996 Yap\u0131mc\u0131lar\u0131: RAKS \u2013 S M\u00fczik, Tanju Ar\u0131kan, Sacit S\u00fcha Dilek ve Hakan Kur\u015fun<\/p>\n
Kapak Foto\u011fraf\u0131: Faruk Akba\u015f<\/p>\n
2026 Foto\u011fraf Aktar\u0131m ve D\u00fczenleme: \u00d6zlem Semiz, Mert Kibar<\/p>\n
1996 Grafik Tasar\u0131m: Funda \u00c7olpan<\/p>\n
2026 LP Grafik Tasar\u0131m: Kaan G\u00fcryuva<\/p>\n
2026 LP Yap\u0131m ve Yay\u0131n: Pb M\u00fczik Yap\u0131m Ltd.<\/p>\n
LP Barkod: 8685276887306<\/p>\n
Sat\u0131\u015f Noktalar\u0131<\/p>\n
\u0130stanbul<\/p>\n
Off The Record<\/p>\n
Zihni M\u00fczik<\/p>\n
Outro Music Store<\/p>\n
Opus3a<\/p>\n
Zuhal M\u00fczik<\/p>\n
Ankara<\/p>\n
\u00c7\u0131t\u0131rt\u0131l\u0131 Sesler<\/p>\n
Shades Records<\/p>\n
Manisa<\/p>\n
Evran Plak<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
Besteci, m\u00fczisyen ve m\u00fczik yap\u0131mc\u0131s\u0131 Hakan Kur\u015fun\u2019un 1996 y\u0131l\u0131nda RAKS \u2013 S M\u00fczik taraf\u0131ndan yay\u0131mlanan Kaos alb\u00fcm\u00fc, 30.<\/p>\n","protected":false},"author":1,"featured_media":41186,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-41185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/41185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=41185"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/41185\/revisions"}],"predecessor-version":[{"id":41187,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/41185\/revisions\/41187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/41186"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=41185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=41185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=41185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}