{"id":5705,"date":"2026-03-24T08:51:42","date_gmt":"2026-03-24T08:51:42","guid":{"rendered":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/03\/24\/bbtde-buyuk-donusum-sahnenin-kalbi-bakirkoyden-turkiyeye-aciliyor\/"},"modified":"2026-03-24T08:51:43","modified_gmt":"2026-03-24T08:51:43","slug":"bbtde-buyuk-donusum-sahnenin-kalbi-bakirkoyden-turkiyeye-aciliyor","status":"publish","type":"post","link":"https:\/\/akdenizolay.com.tr\/index.php\/2026\/03\/24\/bbtde-buyuk-donusum-sahnenin-kalbi-bakirkoyden-turkiyeye-aciliyor\/","title":{"rendered":"BBT\u2019de &#8216;B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm&#8217;: Sahnenin Kalbi Bak\u0131rk\u00f6y\u2019den T\u00fcrkiye\u2019ye A\u00e7\u0131l\u0131yor!"},"content":{"rendered":"<p> <b>Bak\u0131rk\u00f6y Belediye Tiyatrolar\u0131 (BBT), 2026 y\u0131l\u0131 itibar\u0131yla sadece sahnelerini de\u011fil; ruhunu, g\u00f6rsel d\u00fcnyas\u0131n\u0131 ve sanatsal rotas\u0131n\u0131 yeniledi\u011fi &#8220;B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm&#8221; s\u00fcrecini ba\u015flat\u0131yor. Genel Sanat Y\u00f6netmeni Rag\u0131p Sava\u015f\u2019\u0131n modern tiyatro vizyonuyla \u015fekillenen bu d\u00f6nem, Bak\u0131rk\u00f6y\u2019\u00fc yerel bir de\u011ferden, ulusal bir sanat oda\u011f\u0131na ta\u015f\u0131yor.<\/b><\/p>\n<p><b>1. \u015eehirler Aras\u0131 Sanat K\u00f6pr\u00fcs\u00fc: Nil\u00fcfer\u2019den Bak\u0131rk\u00f6y\u2019e<\/b><\/p>\n<p>Bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn en somut ad\u0131mlar\u0131ndan biri, tiyatrolar aras\u0131 dayan\u0131\u015fmay\u0131 simgeleyen konuk oyun projesidir. Bursa Nil\u00fcfer Belediye Tiyatrosu\u2019nun ses getiren oyunu &#8220;\u0130lk Bak\u0131\u015fta Prima Facie&#8221;, BBT sahnelerinde a\u011f\u0131rlanarak sanat\u0131n birle\u015ftirici g\u00fcc\u00fcn\u00fc vurguluyor.<\/p>\n<p><b><i>&#8220;Ger\u00e7ek; anlat\u0131lana m\u0131 dayan\u0131r, ya\u015fanana m\u0131? Nil\u00fcfer Belediye Tiyatrosu ile kurdu\u011fumuz bu k\u00f6pr\u00fc, nitelikli sanat\u0131n s\u0131n\u0131r tan\u0131mad\u0131\u011f\u0131n\u0131n en b\u00fcy\u00fck kan\u0131t\u0131d\u0131r.&#8221;<\/i><\/b><\/p>\n<p><b>2. BBT T\u00dcRK\u0130YE YOLLARINDA: N\u0130SAN 2026 TURNE PROGRAMI<\/b><\/p>\n<p><b>&#8220;B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm&#8221;, Bak\u0131rk\u00f6y\u2019\u00fcn enerjisini farkl\u0131 \u015fehirlere ta\u015f\u0131yor. Nisan ay\u0131 boyunca BBT\u2019nin en g\u00fc\u00e7l\u00fc yap\u0131mlar\u0131 T\u00fcrkiye\u2019nin farkl\u0131 noktalar\u0131nda perde a\u00e7acak:\u00a0<\/b><\/p>\n<p><b>Eski\u015fehir Turnesi: Bir D\u00f6nemin Vicdan Muhasebesi<\/b><\/p>\n<p>Tar\u0131k Akan\u2019\u0131n ayn\u0131 adl\u0131 an\u0131 kitab\u0131ndan G\u00f6khan Aktemur taraf\u0131ndan oyunla\u015ft\u0131r\u0131lan\u00a0<b>&#8220;Anne Kafamda Bit Var&#8221;<\/b>, Eski\u015fehirli sanatseverlerle bulu\u015fuyor. 12 Eyl\u00fcl darbe d\u00f6neminin tan\u0131kl\u0131klar\u0131n\u0131 ve o karanl\u0131k g\u00fcnlerin izlerini sahneye ta\u015f\u0131yan eser, toplumsal belle\u011fi tazeleyen g\u00fc\u00e7l\u00fc bir ele\u015ftirel dil sunuyor.<\/p>\n<p><b>Manisa Turnesi: G\u00f6ky\u00fcz\u00fcne Uzanan S\u0131n\u0131fsal \u00c7at\u0131\u015fma<\/b><\/p>\n<p>Modern insan\u0131n ileti\u015fim \u00e7\u0131kmazlar\u0131n\u0131 ve y\u00fckselen toplumsal duvarlar\u0131 konu alan\u00a0<b>&#8220;Babil Kuleleri&#8221;<\/b>, Manisa turnesi kapsam\u0131nda izleyiciyle bulu\u015facak.<\/p>\n<ul type=\"disc\">\n<li><b>Tema:<\/b>\u00a0\u015eehrin sil\u00fcetini i\u015fgal eden l\u00fcks g\u00f6kdelenlerin \u015fatafatl\u0131 d\u00fcnyas\u0131 ile o kulelerin iskelelerinden d\u00fc\u015ferek &#8220;g\u00f6r\u00fcnmez&#8221; hale gelen i\u015f\u00e7ilerin hikayesi i\u00e7 i\u00e7e ge\u00e7iyor.<\/li>\n<li><b>\u0130\u00e7erik:<\/b>\u00a0M\u00fclkiyet ve stat\u00fc arzusunu tart\u0131\u015f\u0131rken, sistemin di\u015flileri aras\u0131nda ezilen eme\u011fi ve bu \u00e7eli\u015fkinin yaratt\u0131\u011f\u0131 toplumsal vicdan azab\u0131n\u0131, beton bloklar aras\u0131ndaki en g\u00fcncel haliyle inceliyor.<\/li>\n<\/ul>\n<p><b>\u00a0Sar\u0131yer Bulu\u015fmas\u0131: Ay Tedirginli\u011fi (Psikolojik Gerilim)<\/b><\/p>\n<p>Usta yazar\u00a0<b>\u00d6zen Yula<\/b>\u2019n\u0131n kaleme ald\u0131\u011f\u0131 bu k\u00fclt eser, yaz\u0131l\u0131\u015f\u0131n\u0131n\u00a0<b>30. y\u0131l\u0131nda<\/b>\u00a0yeniden hayat bularak Sar\u0131yerli tiyatroseverler i\u00e7in sahneleniyor. Toplumsal haf\u0131zan\u0131n karanl\u0131k dehlizlerine yap\u0131lan bu yolculuk, izleyiciyi tekinsiz bir atmosfere davet ediyor.<\/p>\n<ul type=\"disc\">\n<li><b>Konu:<\/b>\u00a01950\u2019lerin \u0130stanbul\u2019unda, puslu bir gecede yollar\u0131 kesi\u015fen iki yabanc\u0131n\u0131n hikayesi.<\/li>\n<li><b>Atmosfer:<\/b>\u00a0Faili me\u00e7hul cinayetler ve az\u0131nl\u0131k meselelerini &#8220;ay \u0131\u015f\u0131\u011f\u0131n\u0131n&#8221; so\u011fuk g\u00f6lgesinde i\u015fleyen oyun, seyirciyi s\u00fcrekli bir &#8220;tetikte olma&#8221; haline hapsediyor.<\/li>\n<\/ul>\n<p><b>\u00a03. 23 N\u0130SAN\u2019DA \u015eEH\u0130R T\u0130YATROLARI\u2019NDA \u00d6ZEL KONUK<\/b><\/p>\n<p>\u00c7ocuklar\u0131n hayal d\u00fcnyas\u0131n\u0131 her zaman \u00f6nceliklendiren BBT, 23 Nisan Ulusal Egemenlik ve \u00c7ocuk Bayram\u0131 \u015fenlikleri kapsam\u0131nda anlaml\u0131 bir i\u015f birli\u011fine imza at\u0131yor. Sevilen \u00e7ocuk oyunu &#8220;<b>Sihirli Oyuncak&#8221;,<\/b>\u00a0\u0130stanbul \u015eehir Tiyatrolar\u0131 sahnelerinde minik izleyiciler i\u00e7in perdelerini a\u00e7arak bayram co\u015fkusunu zirveye ta\u015f\u0131yacak.<\/p>\n<p><b>\u00a04. RAD\u0130KAL KURUMSAL YEN\u0130LENME<\/b><\/p>\n<p>BBT, 35 y\u0131ll\u0131k k\u00f6kl\u00fc ge\u00e7mi\u015fini dijital ve g\u00f6rsel d\u00fcnyan\u0131n yeni diliyle harmanl\u0131yor.<\/p>\n<ul type=\"disc\">\n<li><b>Yeni Logo ve G\u00f6rsel Dil<\/b>: \u00c7a\u011f\u0131n estetik anlay\u0131\u015f\u0131na uygun, minimalist ve g\u00fc\u00e7l\u00fc bir logo tasar\u0131m\u0131yla kurumsal kimlik modernize edildi.<\/li>\n<li><b>\u0130leti\u015fim Stratejisi:<\/b>\u00a0Afi\u015f tasar\u0131mlar\u0131ndan sosyal medya diline kadar her temas noktas\u0131, &#8220;B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm&#8221;\u00fcn dinamizmini yans\u0131tacak \u015fekilde yeniden kurguland\u0131.<\/li>\n<\/ul>\n<p>BBT Genel Sanat Y\u00f6netmenli\u011fi:\u00a0<i>&#8220;Biz sadece bir tiyatro de\u011fil, ya\u015fayan bir sanat organizmas\u0131y\u0131z. Bu d\u00f6n\u00fc\u015f\u00fcm; daha cesur, daha estetik ve daha kapsay\u0131c\u0131 bir BBT\u2019nin m\u00fcjdecisidir.&#8221;<\/i><\/p>\n<p><b>N\u0130SAN 2026 REPERTUVARI: BA\u015eYAPITLAR VE \u00d6ZEL PROJELER<\/b><\/p>\n<p><b>\u0130LK BAKI\u015eTA PRIMA FACIE (Konuk Tiyatro: Nil\u00fcfer Belediye Tiyatrosu)<\/b><\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<b>Konusu:\u00a0<\/b>Hukuk ve vicdan\u0131n kesi\u015fti\u011fi bu g\u00fc\u00e7l\u00fc anlat\u0131, izleyiciyi derin bir y\u00fczle\u015fmeye davet ediyor. Sars\u0131c\u0131, d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc ve nefes kesici bir performansla sahnede hayat bulan Prima Facie, adalet sistemine, toplumsal normlara ve kad\u0131n\u0131n hukuk kar\u015f\u0131s\u0131ndaki konumuna dair ezber bozan bir bak\u0131\u015f sunuyor<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<b>Yarat\u0131c\u0131 Ekip:\u00a0<\/b>Yazan: Suzie Miller, \u00c7eviren: Nazl\u0131 G\u00f6zde Yolcu, Y\u00f6neten: Bar\u0131\u015f Ayas, Yard\u0131mc\u0131 Y\u00f6netmen: Zeynep \u00c7elik K\u00fcre\u015f, Dramaturg: M. Burak Dikilita\u015f, Dekor Tasar\u0131m: Burak Et\u00f6z, Kost\u00fcm Tasar\u0131m: Deniz G\u00f6l, Hareket Tasar\u0131m: Adem M\u00fclaz\u0131m,Video Tasar\u0131m: Okan Temizarabac\u0131, I\u015f\u0131k Tasar\u0131m: Cem Y\u0131lmazer, M\u00fczik Tasar\u0131m: Derya B\u00f6l\u00fckemini<\/p>\n<ul type=\"disc\">\n<li><b>Oynayan<\/b>: Rabia Zehra \u015eafak<\/li>\n<li><b>Mekan:<\/b>\u00a0Leyla Gencer Sahnesi | Tarih: 2 Nisan (15.00\/20.00) ve 3 Nisan (15.00\/20.00)<\/li>\n<li><b>Not:<\/b>\u00a0Ya\u015f Grubu:\u00a016+\u00a0<b>Oyunumuzda baz\u0131 seyircilerimiz i\u00e7in tetikleyici olabilecek unsurlar yer almaktad\u0131r.<\/b><\/li>\n<\/ul>\n<p><b>ANNE KAFAMDA B\u0130T VAR \u2013 Tar\u0131k Akan (D\u00fcnya Pr\u00f6miyeri) T\u00fcrk sinemas\u0131n\u0131n ve Ye\u015fil\u00e7am\u2019\u0131n unutulmaz ismi Tar\u0131k Akan\u2019\u0131n ayn\u0131 adl\u0131 kitab\u0131ndan uyarlanan oyun, BBT\u2019nin 35. y\u0131l\u0131n\u0131n en \u00f6zel prod\u00fcksiyonu olarak sahneye ta\u015f\u0131n\u0131yor.<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu:\u00a0<\/b>12 Eyl\u00fcl darbesi sonras\u0131 ya\u015fanan g\u00f6zalt\u0131 ve cezaevi s\u00fcrecini, bir sanat\u00e7\u0131n\u0131n bireysel tan\u0131kl\u0131\u011f\u0131 \u00fczerinden ele al\u0131r. Bask\u0131, korku ve yaln\u0131zl\u0131\u011f\u0131n ortas\u0131nda direnci, insan onurunu ve susmamay\u0131 \u00f6n plana \u00e7\u0131karan kalabal\u0131k kadrolu bir yap\u0131md\u0131r.<\/li>\n<li><b>Sanatsal Yakla\u015f\u0131m<\/b>: Rag\u0131p Sava\u015f ve Sava\u015f Barut\u00e7u, Tar\u0131k Akan karakterini d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak canland\u0131racak. Rag\u0131p Sava\u015f s\u00fcreci \u015fu s\u00f6zlerle \u00f6zetliyor:\u00a0<i>&#8220;Amac\u0131m\u0131z kimseyi taklit etmek de\u011fil; o karanl\u0131k d\u00f6nemde sanat\u00e7\u0131lar\u0131n ya\u015fad\u0131klar\u0131n\u0131, onlar\u0131n duygular\u0131n\u0131 ve tan\u0131k olduklar\u0131n\u0131 sahici bir oyunculuk diliyle seyirciye aktarmakt\u0131r.&#8221;<\/i><\/li>\n<li><b>Yarat\u0131c\u0131 Ekip<\/b>: Y\u00f6netmen: Turgay Kant\u00fcrk, Uyarlayan: G\u00f6khan Aktemur, Dramaturg: Irmak Bah\u00e7eci, Dekor\/I\u015f\u0131k: Cem Y\u0131lmazer, Kost\u00fcm: Ay\u00e7\u0131n Tar \u2013 Selin \u00d6l\u00e7en, M\u00fczik: Tolga \u00c7ebi, \u015eark\u0131 S\u00f6zleri: Faruk \u00dcst\u00fcn, Koreografi: P\u0131nar Ataer, Reji asistanlar\u0131: Eda \u00d6zdemir, Sevda Karabulut, Bur\u00e7 Ara<\/li>\n<li><b>Oyuncular<\/b>: Rag\u0131p Sava\u015f \/ Sava\u015f Barut\u00e7u, Yonca \u015eahinba\u015f, Faruk \u00dcst\u00fcn, Eda \u00d6zdemir, Bur\u00e7 Ara, Ercan Ko\u00e7ak, Ali Kil, Kadir Hasman, Emre S\u0131r\u0131ms\u0131, Sevda Karabulut, Murat \u015eenol, Kerem Gen\u00e7, Merve Ba\u011fdatl\u0131, Ahmet Deniz Ku\u015f, Ozan Berk Ekinciel, Y\u0131lmaz G\u00f6kg\u00f6z, Bahar Y\u0131lmazer<\/li>\n<\/ul>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<b>Mekan:<\/b>\u00a0Leyla Gencer Sahnesi: 4-18-25 Nisan ve 2 May\u0131s 2026 Saat 20.00<\/p>\n<ul type=\"disc\">\n<li>\n<ul type=\"circle\">\n<li>\n<ul type=\"square\">\n<li>4-18- Nisan ve 2 May\u0131s Oyunlar\u0131 Rag\u0131p SAVA\u015e,<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>\u00a7\u00a0\u00a025 Nisan oyunu Sava\u015f BARUT\u00c7U taraf\u0131ndan oynanacakt\u0131r\u2026<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<b>(Turne)\u00a0<\/b>Eski\u015fehir \u015eehir Tiyatrosu: 10-11 Nisan (Rag\u0131p Sava\u015f)-12 Nisan (Sava\u015f Barut\u00e7u) saat 20.00<b>\u00a0(Turne)<\/b><\/p>\n<p><b>AY TED\u0130RG\u0130NL\u0130\u011e\u0130 \u2013 \u00d6zen Yula (Psikolojik Gerilim) Yaz\u0131l\u0131\u015f\u0131n\u0131n 30. y\u0131l\u0131nda yeniden hayat bulan eser, toplumsal haf\u0131zan\u0131n karanl\u0131k dehlizlerine bir yolculuk niteli\u011finde.<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu<\/b>: 1950\u2019lerin \u0130stanbul\u2019unda, puslu ve tekinsiz bir gecede yollar\u0131 kesi\u015fen iki yabanc\u0131n\u0131n hikayesi. Faili me\u00e7hul cinayetler ve az\u0131nl\u0131k meselelerini &#8220;ay \u0131\u015f\u0131\u011f\u0131n\u0131n&#8221; so\u011fuk g\u00f6lgesinde i\u015fleyen oyun, seyirciyi s\u00fcrekli bir &#8220;tetikte olma&#8221; haline hapsediyor.<\/li>\n<li><b>Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen Burcu Hala\u00e7o\u011flu, Dramaturg: Ceren Ercan, Dekor\/Kost\u00fcm: Ay\u00e7\u0131n Tar, I\u015f\u0131k tasar\u0131m\u0131: Yasin G\u00fcltepe, M\u00fczik: Okan Kaya, Koreografi: G\u00fcl\u00e7in Yi\u011fit, Kum Sanat\u00e7\u0131s\u0131: Ramazan Yumrutepe, Teaser\/Kurgu: Erhan Cerraho\u011flu\/ Demo Production, Oyun foto\u011fraflar\u0131: \u00d6nc\u00fc H\u0131rant G\u00fcltekin<\/li>\n<li><b>Oyuncular:<\/b>\u00a0Damla Karaelmas, Emre Ko\u00e7<\/li>\n<li><b>Mekan ve Tarihler<\/b>:\n<ul type=\"circle\">\n<li><b>Leyla Gencer Sahnesi:<\/b>\u00a09 -11 Nisan Saat 20.00<\/li>\n<li><b>Baruthane Sahnesi:<\/b>\u00a01 &#8211; 4 &#8211; 8 &#8211;\u00a011 &#8211; 15 &#8211; 18 &#8211; 22 &#8211; 25 &#8211; 29\u00a0Nisan Saat 20.00<\/li>\n<li><b>Sar\u0131yer (Turne):<\/b>\u00a010 Nisan Saat 20.00<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><b>\u00a0<\/b><\/p>\n<p><b>E\u015eE\u011e\u0130N G\u00d6LGES\u0130 \u2013 Haldun Taner (Epik Hiciv)<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu:<\/b>\u00a0Hayali &#8220;Abdalya&#8221; \u00fclkesinde bir e\u015fe\u011fin g\u00f6lgesi \u00fczerinden ba\u015flayan abs\u00fcrt tart\u0131\u015fman\u0131n; medya manip\u00fclasyonu, siyasi h\u0131rslar ve dini istismarla nas\u0131l bir i\u00e7 sava\u015fa d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc anlat\u0131r.<\/li>\n<li><b>Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen: Murat Karasu, Dramaturg: Irmak Bah\u00e7eci, Dekor tasar\u0131m\u0131: Ali Yenel, Kost\u00fcm Tasar\u0131m\u0131: Ay\u00e7in Tar, I\u015f\u0131k Tasar\u0131m\u0131: Cem Y\u0131lmazer, M\u00fczik: Tolga \u00c7ebi, Hareket D\u00fczeni: Cihan Y\u00f6ntem, \u015eark\u0131 s\u00f6zleri: Faruk \u00dcst\u00fcn, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131; Ercan Ko\u00e7ak-\u00d6zge \u00c7atak, Yard\u0131mc\u0131 Hareket D\u00fczeni: Utku Demirkaya, Reji Asistan\u0131: Arda AKY\u00dcZ, Oyun foto\u011fraflar\u0131: Emre Mollao\u011flu, Teaser: Erhan Cerraho\u011flu \/ Demo Production<\/li>\n<li><b>Oyuncular:<\/b>\u00a0Alper Altuner, Ali Kil, Arda Aky\u00fcz, Ay\u015fe Demirel, Bulut Akkale, Burak Dur, Can Esmeray, Do\u011fu\u015f Can Uzun, Eda \u00d6zdemir, Emre Ko\u00e7, Ercan Ko\u00e7ak, G\u00f6zde Ayar, Kadir Hasman, Murat \u015eenol, Nazan Ko\u00e7ak, \u00d6zge \u00c7atak, Sevda Karabulut, Zeyno Eracar<\/li>\n<li><b>Orkestra:<\/b>\u00a0Adem Elkaya, Atiye E\u015fkiza, Aykut Y\u0131ld\u0131r\u0131m, Ebru Mine Sonak\u0131n, Emin G\u00fclfidan, Ersin Toz, Hasan Ko\u00e7, Melih Y\u00fczer, \u015eafak Dinlenmez, U\u011fur \u00c7erkezo\u011flu<\/li>\n<li><b>Mekan<\/b>: Leyla Gencer Opera ve Sanat Merkezi | 24 Nisan Saat 20.00<\/li>\n<\/ul>\n<p><b>\u00c7\u0130RK\u0130N \u2013 Marius von Mayenburg (Modern Dram\/Komedi)<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu<\/b>: Kapitalizmin insan bedenini metala\u015ft\u0131rmas\u0131n\u0131 ve &#8220;g\u00fczel olan iyidir&#8221; alg\u0131s\u0131n\u0131 ac\u0131mas\u0131z bir kara mizahla ele\u015ftiriyor. Ba\u015far\u0131l\u0131 m\u00fchendis Lette\u2019nin &#8220;dayan\u0131lmaz derecede \u00e7irkin&#8221; oldu\u011funu \u00f6\u011frenmesiyle ba\u015flayan ve estetik bir operasyonla &#8220;kusursuz&#8221; bir y\u00fcze kavu\u015fmas\u0131yla devam eden s\u00fcre\u00e7. Ancak herkes ayn\u0131 y\u00fcz\u00fc sat\u0131n ald\u0131\u011f\u0131nda, biriciklik yerini bir distopyaya b\u0131rak\u0131r.<\/li>\n<li><b>Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen: Yelda Bask\u0131n, \u00c7eviren: Dilek Altunta\u015f, Dramaturg: Ceren Ercan, Dekor ve I\u015f\u0131k tasar\u0131m\u0131: Kerem \u00c7etinel, Kost\u00fcm Tasar\u0131m\u0131: Tomris Kuzu, Hareket D\u00fczeni: Esra Yurttut, M\u00fczik: Okan Kaya, Y\u00f6netmen Yard\u0131mc\u0131s\u0131: \u0130rem Sultan Cengiz, Reji Asistan\u0131: Arda Aky\u00fcz, Oyun foto\u011fraflar\u0131: \u00d6nc\u00fc H\u0131rant G\u00fcltekin<\/li>\n<li><b>Oyuncular:<\/b>\u00a0Tolga \u0130skit, Ali R\u0131za Kubilay, \u0130lkin T\u00fcfek\u00e7i, Can Esmeray.<\/li>\n<li><b>Mekan: Leyla Gencer Opera ve Sanat Merkezi | 17 Nisan Saat 20.00<\/b><\/li>\n<\/ul>\n<p><b>TER\u00d6R \u2013 Ferdinand von Schirach (\u0130nteraktif Hukuk Dramas\u0131)<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu:<\/b>\u00a0164 yolcusu bulunan ka\u00e7\u0131r\u0131lm\u0131\u015f bir yolcu u\u00e7a\u011f\u0131, bir ter\u00f6rist taraf\u0131ndan 70 bin ki\u015finin bulundu\u011fu bir stadyuma \u00e7ak\u0131lmak istenmektedir. Bir sava\u015f u\u00e7a\u011f\u0131 pilotu, emre ayk\u0131r\u0131 hareket ederek 164 ki\u015fiyi feda edip 70 bin ki\u015fiyi kurtarmay\u0131 se\u00e7er. &#8220;Hayat hayatla tart\u0131labilir mi?&#8221; sorusunu merkeze alan oyun, mahkeme salonuna d\u00f6n\u00fc\u015fen sahnede seyirciyi &#8220;j\u00fcri&#8221; yapar. Her temsilin sonunda yap\u0131lan oylama, oyunun sonucunu ve adaletin rengini belirler.<\/li>\n<li><b>Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Y\u00f6netmen: Nurkan Erpulat, Dramaturg: Irmak Bah\u00e7eci, \u00c7eviri: Y\u00fccel Erten, Dekor\/I\u015f\u0131k: Kerem \u00c7etinel, Kost\u00fcm Tomris Kuzu, Oyun Foto\u011fraflar\u0131: Emre Mollao\u011flu, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131: \u0130lkin T\u00fcfek\u00e7i \/ \u0130rem Sultan Cengiz \/ Sevda Karabulut, Afis ve Bro\u015f\u00fcr Tasar\u0131m\u0131: \u00d6nder Sak\u0131p D\u00fcndar \/ Aygen \u0130ncel, Afi\u015f Foto\u011fraf\u0131: \u00d6nc\u00fc H\u0131rant G\u00fcltekin, Ses Tasar\u0131m\u0131: Melih Y\u00fczer<\/li>\n<li><b>Oyuncular:<\/b>\u00a0Burak Dur (Lars Koch), \u00c7etin Etili (Yarbay Lauterbach), Fidan Tek Ko\u015far (Hakim), Orhan Kemal Ayd\u0131n (Avukat Biegler), \u0130lkin T\u00fcfek\u00e7i (Fransizka Meiser), Cihan \u0130nan Bekar \/ G\u00fclce U\u011furlu (Savc\u0131 Nelson).<\/li>\n<li><b>Mekan: Leyla Gencer Opera ve Sanat Merkezi | 30 Nisan &#8211; 20.00<\/b><\/li>\n<\/ul>\n<p><b>BAB\u0130L KULELER\u0130 \u2013 Ebru Nihan Celkan (Toplumsal Muhasebe)<\/b><\/p>\n<ul type=\"disc\">\n<li><b>Konu<\/b>: \u015eehrin sil\u00fcetini i\u015fgal eden l\u00fcks g\u00f6kdelenlerin (modern Babil kulelerinin) \u015fatafatl\u0131 d\u00fcnyas\u0131 ile o kulelerin iskelelerinden d\u00fc\u015ferek &#8220;g\u00f6r\u00fcnmez&#8221; hale gelen i\u015f\u00e7ilerin hikayesi i\u00e7 i\u00e7e ge\u00e7er. Oyun, bir yandan m\u00fclkiyet ve stat\u00fc arzusunu tart\u0131\u015f\u0131rken, di\u011fer yandan sistemin di\u015flileri aras\u0131nda ezilen eme\u011fi ve bu \u00e7eli\u015fkinin yaratt\u0131\u011f\u0131 toplumsal vicdan azab\u0131n\u0131 inceliyor. S\u0131n\u0131fsal \u00e7at\u0131\u015fman\u0131n g\u00f6ky\u00fcz\u00fcne uzanan beton bloklar aras\u0131ndaki en g\u00fcncel hali.<\/li>\n<li><b>Yarat\u0131c\u0131 Ekip<\/b>: Y\u00f6netmen: Fidan Tek Ko\u015far, Dekor Tasar\u0131m\u0131: Ali Yenel, Kost\u00fcm Tasar\u0131m\u0131: I\u015f\u0131k Tasar\u0131m\u0131: \u0130lker Dursun M\u00fczik: Melih Y\u00fczer, Ses: U\u011fur \u00c7erkezo\u011flu<\/li>\n<li><b>Oyuncular<\/b>: Alper Altuner, Burak Dur, \u00c7etin Etili, Do\u011fu\u015f Can Uzun, G\u00f6zde Ayar, \u0130rem Sultan Cengiz, \u00d6zge \u00c7atak.<\/li>\n<li><b>Mekan: Manisa B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131-\u00a0 Saat: 20.00 (Epilepsi uyar\u0131l\u0131) (Turne)<\/b><\/li>\n<\/ul>\n<p><b>\u00c7OCUK OYUNLARI VE PEDAGOJ\u0130K YAKLA\u015eIM<\/b><\/p>\n<p><b>S\u0130H\u0130RL\u0130 OYUNCAK:<\/b>\u00a0Prenses Lina ve Stella\u2019n\u0131n hikayesiyle m\u00fclkiyet kavram\u0131n\u0131 de\u011fil, payla\u015fman\u0131n getirdi\u011fi ger\u00e7ek mutlulu\u011fu ve empatiyi \u00e7ocuklar\u0131n d\u00fcnyas\u0131na ta\u015f\u0131r.<\/p>\n<ul type=\"disc\">\n<li><b>Yarat\u0131c\u0131 Ekip<\/b>: Yazan: Zerrin Akdenizli, Y\u00f6netmen Kadir Hasman, Dekor\/Kost\u00fcm: Suzan Erbilgin Tunca, Koreografi: G\u00fcl\u00e7in Yi\u011fit, Dramaturg: Irmak Bah\u00e7eci, M\u00fczik tasar\u0131m\u0131: U\u011fur \u00c7erkezo\u011flu, Is\u0131k tasar\u0131m\u0131: \u0130lker Dursun, Reji asistanlar\u0131: Arda Aky\u00fcz \/ Nadide \u00d6zkaya, Pedagog: Buket Y\u0131lmaz<\/li>\n<li><b>Oyuncular<\/b>: Bahar Y\u0131lmazer, Emir Taha Sar\u0131, G\u00fcl\u00e7in Yi\u011fit, Nadide \u00d6zkaya, Taha Tegin \u00d6zdemir<\/li>\n<li><b>Mekan:<\/b>\u00a0Leyla Gencer Opera ve Sanat Merkezi\u2019nde 19-23 Nisan ve 3 May\u0131s saat 13.00\u2019de\u00a0<\/li>\n<li>\u0130stanbul \u015eehir Tiyatrolar\u0131: 26 Nisan Saat 13.00\u00a0<b>(Turne)<\/b><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><b>T\u0130YATRONUN B\u00dcY\u00dcS\u00dc<\/b>: Tiyatro Cini Sofi\u2019nin yard\u0131m\u0131yla y\u0131k\u0131lmak istenen bir sanat mabedini kurtarmaya \u00e7al\u0131\u015fan \u00e7ocuklar\u0131n m\u00fccadelesi; dayan\u0131\u015fman\u0131n ve k\u00fclt\u00fcr\u00fcn \u00f6nemini vurgular.<\/p>\n<ul type=\"disc\">\n<li><b>Yarat\u0131c\u0131 Ekip:<\/b>\u00a0Yazan: \u00d6zlem Sara\u00e7, Y\u00f6netmen: Bur\u00e7 Ara, Hareket D\u00fczeni; Utku Demirkaya, Dekor ve Kost\u00fcm tasar\u0131m\u0131: Ay\u00e7in Tar, I\u015f\u0131k Tasar\u0131m: \u0130lker Dursun, M\u00fczik: Melih Y\u00fczer, \u015eark\u0131 S\u00f6zleri: Faruk \u00dcst\u00fcn, Foto\u011fraflar: Emre Mollao\u011flu, Y\u00f6netmen Yard\u0131mc\u0131lar\u0131: Emre S\u0131r\u0131ms\u0131\/ Ercan Ko\u00e7ak, Asistan: Arda Aky\u00fcz<\/li>\n<li><b>Oyuncular<\/b>: Bur\u00e7 Ara, Ercan Ko\u00e7ak, Can Esmeray, Do\u011fu\u015f Can Uzun, Eda \u00d6zdemir, Emre S\u0131r\u0131ms\u0131, \u0130rem Sultan Cengiz, Murat \u015eenol, Sevda Karabulut<\/li>\n<li><b>Mekan<\/b>: Leyla Gencer Opera ve Sanat Merkezi\u2019nde 5-26 Nisan saat 13.00\u2019de<\/li>\n<\/ul>\n<p><b>MEKAN VE ER\u0130\u015e\u0130M: SANATA ENGELS\u0130Z ULA\u015eIM<\/b><\/p>\n<ul type=\"disc\">\n<li>Tarihi Baruthane Sahnesi: \u0130BB Miras ve Bak\u0131rk\u00f6y Belediyesi ortakl\u0131\u011f\u0131yla kente kazand\u0131r\u0131lan 324 ya\u015f\u0131ndaki mekan, tarihle sanat\u0131 bulu\u015fturuyor.<\/li>\n<li>\u00dccretsiz Servis: Oyun g\u00fcnleri Atak\u00f6y Marmaray\u2019dan (19.00) sahneye ve oyun sonu (21.30) Marmaray\u2019a \u00fccretsiz ring seferleri d\u00fczenlenmektedir.<\/li>\n<li>&#8220;Koltuk Senin&#8221;: BBT, 25 ya\u015f alt\u0131 t\u00fcm gen\u00e7lere, bo\u015f kapasite dahilinde kap\u0131lar\u0131n\u0131 \u00fccretsiz a\u00e7arak sanat\u0131n demokratikle\u015fmesine \u00f6nc\u00fcl\u00fck ediyor.<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p>Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bak\u0131rk\u00f6y Belediye Tiyatrolar\u0131 (BBT), 2026 y\u0131l\u0131 itibar\u0131yla sadece sahnelerini de\u011fil; ruhunu, g\u00f6rsel d\u00fcnyas\u0131n\u0131 ve sanatsal rotas\u0131n\u0131 yeniledi\u011fi &#8220;B\u00fcy\u00fck D\u00f6n\u00fc\u015f\u00fcm&#8221; s\u00fcrecini ba\u015flat\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":5706,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-5705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/5705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=5705"}],"version-history":[{"count":1,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/5705\/revisions"}],"predecessor-version":[{"id":5707,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/5705\/revisions\/5707"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media\/5706"}],"wp:attachment":[{"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=5705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=5705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akdenizolay.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=5705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}